A Quote by Ben Eine
I was brought up in south London and I started out in the world of graffiti when I was about 14 because I wanted to be part of that hooded tracksuit gang thing.
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A lot of new genres were being born at the time I started going out to clubs in South London, and I was part of an exciting movement that has now blown up around the world.
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
I started off as a graffiti artist in the South Bronx. My tag name was 'Loco' because I would go crazy and tag anywhere I wanted, in the weirdest places.
I was brought up with two sisters, so I do know about a three-way dynamic. It's a complex one, because it's easy for one to get left out and the others to gang up. In my family, we were all pretty up for it, but the dynamics would constantly change.
On the mission I brought a flag from China, I brought the stone sculpture from Hong Kong, and I brought a scroll from Taiwan. And what I wanted to do is, because as I was going up and I am this Chinese-American, I wanted to represent Chinese people from the major population centers around the world where there are a lot of Chinese people. And so, I wanted to bring something from each of those places and so it really wasn't a political thing and I hope people saw it that way. I was born here, I was raised in the U.S., and I'm an American first, but also very proud of my heritage.
I've pretty much grown up on set, and my favorite part about it is being able to actually see how movies are made. I knew when I was about 14 that I wanted to be a director and that I wanted to go to NYU for film school. It kind of feels like it's been a long time coming.It's a relief to actually be in, because the college process is so hyped-up.
I started when I was 14. I figured out that's what I wanted to do when I was 14. Even when I was six, I can remember people telling me, "You're gonna be a comedian," and all this stuff.
All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.
The origin of nursing started out with prostitutes, who would go care for people in jail. That was back when nobody wanted to go to the hospital because it was basically a place that you went to die. It started progressing with the visiting nurses in the South. The women started wearing these outfits to make it look like they were more sophisticated and so that they could be more respected. They started recruiting women from good education backgrounds because they wanted to make it a more respected profession.
London is the most multicultural, mixed race place on Earth. And I love that. I grew up in a neighborhood in London where English wasn't necessarily the first language - maybe because of that, I love to travel. Every penny I've ever saved has been spent on airline tickets to different corners of the world. I think that's partly from growing up in London. I've taken that bit with me - this ability to fit in with any culture and be fascinated and respectful with any culture all started from growing up in London.
I hadn't even thought about what I wanted to do when I left school because I was only 14 when I started modelling.
I'm just chilled out, you'll always catch me in a mad tracksuit. Normally a black tracksuit, I'm not really an out there person.
That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on.
Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
When I started working in human rights, Eastern Europe was communist, South Africa was under apartheid and South Korea had military rule. All the changes have come about not because of the militaries or government but because small groups of people spoke out against what was unfair and unjust.
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