A Quote by Benjamin Booker
I've grown up on gospel and blues music, and now it's a huge part of who I am.
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From the spiritual came the blues, gospel, and rhythm-and-blues. I heard all of that music growing up, and that has influenced how I approached classical music. I'm sure of it.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
A lot of blues music seems like it's moving away from God, or the center, and Gospel music is moving towards it. It's embracing a higher reality. When you look a little closer, the way that I define it or explain it, is that the blues is the naked cry of the human heart, apart from God. People are searching for union with God. They're searching to be home. There's something in people that seeks this union with their creator. Why am I here? Where am I going? What's it all about? Who am I? All this kind of stuff.
The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.
I grew up with KTSU, and that station gave me so much info about the pantheon of black sounds: reggae, gospel, blues, soul, hip hop, and mostly they played jazz. That was a major part of how I understood music.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
The blues echoes right through into soul, R&B and hip hop. It's part of the make-up of modern music. You can't turn your back on the blues.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
I'm trained in classical music, and my favourites have always been rock n' roll and blues, but I've grown up with different kinds of music around me because of my parents.
Gospel music played a huge part of my life. I was too scared to audition for the choir, but through my own music, I was also able to find spirituality for myself.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
I really wanted to be a blues/jazz/gospel singer, but times had changed and disco was now the music - the new sound. I embraced it with all my heart and the rest is history.
I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
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