A Quote by Benjamin Zander

It is the tuning of the universe... It's as if at the beginning of the symphony God turns up the volume just a tiny bit. — © Benjamin Zander
It is the tuning of the universe... It's as if at the beginning of the symphony God turns up the volume just a tiny bit.
You stimulate the neo-cortex, it produces a symphony. But it's not just a symphony of perception. It's a symphony of your universe. Your reality.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the 'Mind of God' is cosmic music resonating in 11-dimensional hyperspace.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the "Mind of God" is cosmic music resonating in 11 dimensional hyperspace.
I like to think of the senses as having a volume control in the brain. The volume turns up on all the other senses when you lose one.
I believe in God. In fact, I believe in a personal God who acts in and interacts with the creation. I believe that the observations about the orderliness of the physical universe, and the apparently exceptional fine-tuning of the conditions of the universe for the development of life suggest that an intelligent Creator is responsible.
Intention appears to be something akin to a tuning fork, causing the tuning forks of other things in the universe to resonate at the same frequency
It is still true that it is easier to compose a poem in the form of a manual for adjusting a VCR than it is to write a piece using just tuning as a symphony.
Of course, Jastrow's comment is exaggerated at best; theologians hardly predicted the Big Bang. If our universe turns out to be closed, hence with an end, this does not mean apocalyptic visions of the end of the world were on target. And even if a beginning for the universe is a successful prediction of one version of theism, this is still not that impressive. After all, even a stopped clock is right twice a day. The Big Bang becomes strong support for God only with an argument showing that such a beginning requires a Creator.
As we shall see, the concept of time has no meaning before the beginning of the universe. This was first pointed out by St. Augustine. When asked: What did God do before he created the universe? Augustine didn't reply: He was preparing Hell for people who asked such questions. Instead, he said that time was a property of the universe that God created, and that time did not exist before the beginning of the universe.
The Gulf of Mexico is a very big ocean. The amount of volume of oil and dispersant we are putting into it is tiny in relation to the total water volume.
When volume drops off, prices settle down. Volume is the force that turns stocks higher.
It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
But so many Christians are like deaf people at a concert. They study the programme carefully, believe every statement make in it, speak respectfully of the quality of the music, but only really hear a phrase now and again. So they have no notion at all of the mighty symphony which fills the universe, to which our lives are destined to make their tiny contribution, and which is the self-expression of the Eternal God.
I really like Braun Strowman. I would turn the volume down on him just a little bit. I think he is a little bit overly animated, and he doesn't have to be. He is already a larger than life character when he wakes up and has a cup of coffee.
I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.
I listen to the summer symphony outside my window. Truthfully, it's not a symphony at all. There's no tune, no melody, only the same notes over and over. Chirps and tweets and trills and burples. It's as if the insect orchestra is forever tuning its instruments, forever waiting for the maestro to tap his baton and bring them to order. I, for one, hope the maestro never comes. I love the music mess of it.
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