A Quote by Benedict Samuel
I've picked up so much about the technical aspects of filmmaking and television.
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As an adult, there are technical aspects of filmmaking you understand, like having to pick up a cup on the same line every time.
People may be surprised at how hard and difficult filmmaking can be, having the creativity and the technical aspects together is very hard to do.
A lot of directors in television have come up through the technical ranks. They have all the technical skills in the world. They're not all that familiar with actors.
I studied English in college and approached filmmaking from a writing background while trying to learn as much as I could about the technical side of things by making shorts and a webseries.
I love the art of filmmaking very much in all aspects.
I was aware of the possible biases you could get as a commercial director, like being too concerned about the technical aspects of the form rather than anything of substance. If you keep working in commercials, you can get trapped in a very superficial way of thinking. I always used commercials as an exercise for filmmaking, like going to the gym.
Whenever I enter a position, I have a predetermined stop. That is the only way I can sleep. I know where I'm getting out before I get in. The position size on a trade is determined by the stop, and the stop is determined on a technical basis... I never think about [stop vulnerability], because the point about a technical barrier - and I've studied the technical aspects of the market for a long time - is that the market shouldn't go there if you are right.
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.
I didn't know the technical language of filmmaking, so I said, 'OK, I'm going to do my own storyboard,' because I had to explain to the crew and the technical people what I wanted.
I know that I make technical mistakes from time to time. It's one of the aspects of my game that I've been working on for years. I think I've managed to reduce the number of those technical mistakes to a minimum, but occasionally, they happen. On the other hand, I do have moments of technical brilliance.
Urban transport is a political and not a technical issue. The technical aspects are very simple. The difficult decisions relate to who is going to benefit from the models adopted.
I'm a total ignoramus about the technical aspects but I have to say that it's awfully purty now.
While the creative aspects of my filmmaking style are challenging in their own ways, I have developed such confidence and passion over the years that it has become much easier.
I made mistakes. I can’t whine about it. I’m the one that messed up and I’m paying the consequences. However, if I am given a second chance, I won’t need a third chance. And to be honest with you, I picked the wrong vice. I should have picked alcohol. I should have picked drugs or I should have picked up beating up my wife or girlfriend because if you do those three, you get a second chance. They haven’t given too many gamblers second chances in the world of baseball.
My work on titles was a marvelous opportunity to learn about filmmaking. I think I touched on just about every aspect of the process, both creative and technical. And I worked with many wonderful people.
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