A Quote by Benny Blanco

I used to link up boom boxes, record one take, play it into another boom box then play all that back into the other one until I had six tracks. It was unlistenable! — © Benny Blanco
I used to link up boom boxes, record one take, play it into another boom box then play all that back into the other one until I had six tracks. It was unlistenable!
If I had more recreation time I would be able to step back and reflect on how life has changed. But it has been like a constant... boom, boom, boom, boom, boom!
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you're instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do.
My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.
Imagine if Beethoven had a tape recorder. Then you'd know exactly what he meant. Maybe he meant 'Da da da da' instead of 'Boom boom boom boom!' Who knows?
I used to do three or four songs a day, just write them - boom, boom, boom, and done - because of how spontaneous I was.
Boy you got my heartbeat runnin away Beatin like a drum & it's comin your way Cant you hear that Boom badoom boom boom badoom boom bass He got that super bass Boom badoom boom boom badoom boom bass Yeah that's that super bass
You can't have a movie that's just 'Boom, boom, boom, boom, boom' constantly - you have to breathe.
He broke up with me." "Because you weren't in love with him. That's an iffy proposition, and I think he's handling with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box." "No one has a boom box anymore. That was the eighties.
Sometimes you just need a spark, and then boom, boom, boom, now the bats come alive.
I was just going at this career - boom, boom, boom! Then all of a sudden, at 38, Oh, my God - I forgot to get married!
My reading life is like an airport where a bunch of planes circle in a holding pattern, then - boom, boom, boom - several come in for a landing.
I travel with a boom box. When I get on a plane, I stuff the power cord for the boom box into the battery compartment. From an outsider's point of view, it looks like I've got it all wrong.
I remember back in Detroit, I used to go to the Apex Bar every night after I got off work. The bartender there used to call me Boom Boom. I don't know why, but he did.
When we first started making videos, we didn't have a boom mic, so we had to talk really loud. And then we got a boom mic and were like, 'Wow, we're shouting,' and had to learn to bring it back.
I am a light person. I think of myself with a shield, a protective shield around me. And I think of bad things bouncing off it. Boom, boom, boom, ba-boom, ba- boom!
I was probably like 13 years old, 14. And I used to walk home doing the beatbox from school. That's how I created it. There was no walkmans back then, no iPods, no CDs. There was just me. Back then there was the boom box.
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