A Quote by Benny Fine
We'll be reporting music news every week and have real bands coming and performing on 'MyMusic,' interacting with the fictional cast as though they were real.
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There's a great deal of enthusiasm about quality, serious journalism. And some of it relates to personalities because it's people who do the news. But I think it reflects a real desire for facts, real news and reporting.
I would love for us to get back to a place in this country where we have real journalists, where we have real news reporting.
You should play with real musicians; the best music comes from real people interacting with each other.
I always tell people, I never get writer's block because it's coming straight from my brain, like, real-life experiences. I'm like the news. I'm just reporting it for myself.
I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing.
Reality TV now doesn't feel reality TV when it started. The line between reality and fiction is blurred. So many of these people are phony or shallow, in their own right. If you've ever watched any of The Real Housewives, or those types of shows, they're all performing. Even though they're real people, they're performing.
When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.
I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves.
The news as entertainment is the real danger, because the truth or accuracy of what it is reporting becomes irrelevant.
When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
Revolutions existed in history, books were written about them, and lectures given: they were complicated phenomena, scientific, remote. While here, the riot of a week ago had turned out to be a real revolution and the shadow of death actually threatened all of us who were of the ruling cast.
Although I performed in high school, my first real experience with theater was performing with a student-run organization at Vanderbilt University called The Original Cast where I learned that I loved performing and especially loved theater people.
If you look at television shows, which of course are fictional so you don't expect them to be real, but they're constantly showing career women who are also successful mothers and also look gorgeous. And we fall into believing that these fictional lives are somehow accurate depictions of what our real lives should be about.
The real violence is committed in the writing of history, the records of the legal system, the reporting of news, through the manipulation of social contracts, and the control of information.
I think it's just about the machine is about reporting the news, and then reporting the news about the news, and then having those moments where they sit around and go, "Are we reporting the news correctly? I think we are." And then they go back to the and the cycle just sort of continues.
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