A Quote by Bernard le Bovier de Fontenelle

I have lived one hundred years; and I die with the consolation of never having thrown the slightest ridicule upon the smallest virtue. — © Bernard le Bovier de Fontenelle
I have lived one hundred years; and I die with the consolation of never having thrown the slightest ridicule upon the smallest virtue.
Those who come a hundred or two hundred years after us will despise us for having lived our lives so stupidly and tastelessly. Perhaps they'll find a means to be happy.
All happiness is a work of art: the smallest error falsifies it, the slightest hesitation alters it, the least heaviness spoils it, the slightest stupidity brutalizes it.
For a man can lose neither the past nor the future; for how can one take from him that which is not his? So remember these two points: first, that each thing is of like form from everlasting and comes round again in its cycle, and that it signifies not whether a man shall look upon the same things for a hundred years or two hundred, or for an infinity of time; second, that the longest lived and the shortest lived man, when they come to die, lose one and the same thing.
You'll be old and you never lived, and you kind of feel silly to lie down and die and to never have lived, to have been a job chaser and never have lived.
To die is poignantly bitter, but the idea of having to die without having lived is unbearable.
Stories are consoling, fiction is one of the consolation prizes for having lived in the world.
A Hundred Years From Now Well a hundred years from now I won't be crying A hundred years from now I won't be blue And my heart would have forgotton she broke ever vow I won't care a hundred years from now Oh, it seem like yesterday you told me You couldn't live without my love somehow Now that you're with another it breaks my heart somehow I won't care a hundred years from now * Refrain Now do you recall the night sweetheart you promised Another's kiss you never would allow That's all in the past dear it didn't seem to last I won't care a hundred years from now * Refrain
I lived in Judea eighteen hundred years ago, but I never knew that there was such a one as Christ among my contemporaries.
You are so anxious about the future that you do not enjoy the present. You therefore do not live in the present or the future. You live as if you are never going to die, and then die having never really lived.
I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
I'm hunger. I'm thirst. Where I bite, I hold till I die, and even after death they must cut out my mouthful from my enemy's body and bury it with me. I can fast a hundred years and not die. I can lie a hundred nights on the ice and not freeze. I can drink a river of blood and not burst. Show me your enemies.
About two hundred or two hundred and fifty years after the death of Grettir, his history was committed to writing, and then it became fixed - nothing further was added to it, and we have his story after having travelled down over two hundred years as a tradition.
Paradoxically, capital has unleashed myriad objects upon us, in their manifold horror and sparkling splendor. Two hundred years of idealism, two hundred years of seeing humans at the center of existence, and now the objects take revenge, terrifyingly huge, ancient, long-lived, threateningly minute, invading every cell in our body.
I have said with as much sincerity as I can muster that if I were thrown into a dungeon with a sentence of one hundred years, with my only company being an illiterate guard who came twice a day with meals but who never spoke, I would still write - on coarse toilet paper in the dark if I could spare it.
Raphael painted, Luther preached, Corneille wrote, and Milton sang; and through it all, for four hundred years, the dark captives wound to the sea amid the bleaching bones of the dead: for four hundred years the sharks followed the scurrying ships; for four hundred years America was strewn with the living and dying millions of a transplanted race; for four hundred years Ethiopia stretched forth her hands unto God.
Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.
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