A Quote by Bernard Tschumi

The general public will almost always stand behind the traditionalists. In the public eye, architecture is about comfort, about shelter, about bricks and mortar.
In general, when you have success on the field, you're more popular, and you have that fame that comes with it. You realize you're in the public eye more, and you've got to be a little bit more careful about some of the things you're doing out in public and make sure you're smart about the things you say.
Architecture is really about well-being. I think that people want to feel good in a space... On the one hand it's about shelter, but it's also about pleasure. The intention is to really carve out of a city civic spaces and the more it is accessible to a much larger mass in public and it's about people enjoying that space. That makes life that much better. If you think about housing, education, whether schools and hospitals, these are all very interesting projects because in the way you interpret this special experience.
There's no question that in my lifetime, the contrast between what I called private affluence and public squalor has become very much greater. What do we worry about? We worry about our schools. We worry about our public recreational facilities. We worry about our law enforcement and our public housing. All of the things that bear upon our standard of living are in the public sector.
Philosophers feel a little more cautious about letting down their technical guard lest the general public doesn't recognize their special credentials. It's the fact that philosophy is of general interest that, paradoxically, keeps philosophers from wanting to speak in a way that's accessible to the general public.
Well, I try not to think about the general public since I have no idea what the general public is and I don't think anybody does.
I think, at some level, we see young people all over the country mobilizing around different issues, in which they're doing something that I haven't seen for a long time. And that is, they're linking issues together. You can't talk about police violence without talking about the militarization of society in general. You can't talk about the assault on public education unless you talk about the way in which capitalism defunds all public goods. You can't talk about the prison system without talking about widespread racism. You can't do that. They're making those connections.
I think polling is important because it gives a voice to the people. It gives a quantitative, independent assessment of what the public feels as opposed to what experts or pundits think the public feels. So often it provides a quick corrective on what's thought to be the conventional wisdom about public opinion. There are any number of examples that I could give you about how wrong the experts are here in Washington, in New York and elsewhere about public opinion that are revealed by public opinion polls.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
The substance of fictional architecture is not bricks and mortar but evanescent consciousness.
I've been in the public eye for about 15 or 16 years and I'm very aware that fame is not a given. I have to maintain it. It's not just something that will always be there.
Being in the public eye, I struggle to create and maintain romantic relationships. I am constantly faced with assumptions about who my significant other is, and it seems that there is always some speculation about my relationship status.
One of the nice things about moving from acting to writing is that your work can be in the public eye without having to be in the public eye yourself. I guess that's not completely true. If you're lucky - and I have been - there are book tours and lectures. I don't have stage fright, and I enjoy meeting people, so that's easy and enjoyable, but it's not a constant, and it's not celebrity.
Even thought this is a remarkable story [The danish Girl] and these are two fascinating people in their own right, Lili's story had been in the public domain but this had somehow slipped out of sight. It seemed bizarre then but I couldn't have imagined releasing the film in a climate like today around trans issues and the comfort people have about it in the public eye.
So, but I've always been very realistic about what it is when you're in the public eye.
I think there's always been, to some degree, a misunderstanding about what science fiction is all about, in that it has been judged by the general public as being literature of prediction, and it isn't.
All but universally, human architecture values front elevations over back entrances, public spaces over private. Danny Jessup says that this aspect of architecture is also a reflection of human nature, that most people care more about their appearance than they do about their souls.
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