A Quote by Bernie Mac
Making people laugh is what I've been doing since I was like four or five years old. I still have a lust, I still have a passion. I don't care about how I look, I'm dedicated to the laughs.
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I don't care about how I look; I'm dedicated to the laughs. You know, I used to be a clown, so - my name was Smoothie the Clown. All the training I had, all my training is geared toward making people laugh, and I didn't care about being cool.
I would like to think that if I stop playing in three, four, five years time, whatever it may be, that I would still be involved in football and still have that as my profession. It is my passion and what I know.
I've been at it since 1967, and I still love it. There is nothing quite like making people laugh.
I've been reading since I could read, which was about four or five years old.
I've always wanted to be a writer. I've been writing since I was probably four years old - it was nonsense, but it was still my little attempts at being a storyteller.
[Facebook] is shaping a broader web. If you look back for the past five or seven years, the story about social networking has really been about getting people connected... But if you look forward for the next five years, I think that the story people are going to remember five years from now isn't how this one site was built; it is how every single service that you use is now going to be better with your friends.
I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.
I've been riding Valegro since he was four or five years old.
I don't care who's No. 1 on the call sheet or how big my trailer is. I care about the work. I don't care who gets the laughs. I just care that the laugh comes.
If I got dropped tomorrow or every single I released from now on tanked, I'd be devastated, but I'd also still be doing this. I'd still be writing songs. I'd still be recording them. I was doing that for four years in Nashville. This is just on a larger stage.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
We've progressed well beyond the four humors in the two thousand-odd years since Hippocrates, but we still haven't satisfied the urge to discover ways of sorting people into personalities and types and, in so doing, predict how they might act in specific situations.
I am just pitifully nostalgic. I can't help but roll my eyes at myself frequently. I mean, I still shoot black-and-white film. And I am constantly reminiscing about the 'good old days.' I'm 28 years old. There haven't even been that many 'good old days.' But still, I love to look back.
Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.
I have been doing ads since I was four years old.
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
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