A Quote by Bert Kreischer

My personality has gotten me some really good job interviews in New York. — © Bert Kreischer
My personality has gotten me some really good job interviews in New York.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
By late 1953, going to New York on vacation, I had lined up several Time Inc. interviews - and what they did was give me a lifelong appreciation of the importance of luck in getting a job.
I've done so many interviews that I've gotten past the ego and the personality.
The week before the (US Open) I gave a few interviews for CNN, USA Network, New York Times, USA Today and Sports Illustrated which had been arranged beforehand. The reason for giving these interviews is not only because working with the media is just part of the job, it is much more my desire to contribute to the promotion of tennis in the U.S.
I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
I've been very lucky. I wanted to be an actress, but I didn't really have the drive to sell myself. Fortunately I had a terrific agent in New York who kept me going from job to job.
I've been watching a lot of Joan Didion interviews on YouTube. I love her. My drummer has gotten me into looking at Terence McKenna interviews.
The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
New York is the thing that seduced me. New York is the thing that formed me. New York is the thing that deformed me. New York is the thing that perverted me. New York is the thing that converted me. And New York is the thing that I love too.
I forgot that San Francisco is not an angry city like New York. Gays have gotten what they wanted there over the years, unlike New York, where we had to fight for everything.
One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
I've gotten a little bit pompous. When I get out in public, I really notice myself looking at my reflections as a I walk though. New York is not a great place for me.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
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