A Quote by Beth Grant
If you just think Donnie Darkos a weird movie, you don't want to think. You don't want to feel your feelings. So yeah, I do want to shake 'em up.
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When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.
Everything about a date is weird, especially if it's a new person you don't really know. You want to take them somewhere you think they're going to like, but you don't want to ask that question because you want to look like you're in control of the situation. So I think dates are just weird in general.
I'm trying to be morally responsible and no more. I don't have an agenda I'm trying to push. People talk about Three Days of the Condor as being anti-government but the last statement in that movie is the CIA guy saying to Robert Redford, "Ask 'em when they're running out. Ask 'em when there's no heat in their homes and they're cold. Ask 'em when their engines stop. Ask 'em when people who have never known hunger start going hungry. You want to know something? They won't want us to ask 'em. They'll just want us to get it for 'em!"
Actors go, 'I just want to act.' And I say to them, 'You know, stop for a second and think about what charges you up the most. Do you want to be on the stage, do you want to be in film, do you want to be a comic actor? Do you just want to make it for the money and capitalize on your look and do commercials and soaps?'
I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.
While we [people] keep putting a face on HIV and AIDS, I think what we forget is that there are human beings, just people with emotions and feelings, women who want to be loved, men who want to be loved, who want to feel something.
They think that, if we were just smart enough, we'd be able to understand their policies. And I so want to tell 'em, and I do tell 'em, Oh, we're plenty smart, oh yeah - we know what's goin' on. And we don't like what's goin' on. And we're not gonna let them tell us to sit down and shut up.
Before you decide to have an argument, think about what you really want to accomplish. Do you just want to let your feelings out, or is there a point you are trying to make? What is it?
Whenever I watched this movie ["How to Train Your Dragon"], I thought, "That's where I want to be. I want to be up in that sky. I want to be flying through the clouds and be living in that environment." So I think if I had a dragon, I would spend most of my time up in the air all over the place and taking in this beautiful planet.
You have to know that your collaborators want you to make the movie that you want. Don't back down because you think it's nice to them. You need to have the film be the way that you want it.
I don't think I would want to do an animated movie because I've already made so many hours of animation that what's the point? I'd want something new and weird to challenge me in a different way.
To show you how radical I am, I want carjackers dead. I want rapists dead. I want burglars dead. I want child molesters dead. I want the bad guys dead. No court case. No parole. No early release. I want 'em dead. Get a gun and when they attack you, shoot 'em.
I love Donnie Darko movie so much. Just before I got that script, I had been to see some European art film. I walked out of that movie and said to my husband, "That's what I want to do! I want to do an art film and take it to the edge." Within two weeks, we were getting ready to go on vacation, and my agent called.
I think - you know, I want to intimidate people when I'm on the field. I want people to be scared of me. That's just kind of the nature of who I am as a person and player. But I also know that you have to be emotional. You have to be in touch with your feelings. I think that's important.
I think everything in your life's your own damn fault and that's my simple philosophy in that, and I think you're broke because you want to be just like you're fat because you want to be or stupid because you want to be or unemployed, it must be because you want to be. Otherwise, it'd be different.
We think it is a really important part of your journey, as an international player, that you come in and you want it to feel like it's the pinnacle of the game. That you want to come back into that environment. You don't want to think, 'Well, I'd much prefer playing for Sussex,' or your county.
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