A Quote by Beth Henley

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play. — © Beth Henley
The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
What I can say, categorically, is that working with Sarah Paulson and Kathy Bates will have been the most formative experience for me, as an actor, for the rest of my life.
The entire 'my art is better than your art' thing really gets under my skin. The fact of the matter is: Your art IS better than my art... at being what it is. So what? It just so happens that my art is better than your art, at being what it is.
I've dressed what fashion thinks of as the 'It' girls like Gwyneth Paltrow and Angelina Jolie, but I also just love people like Kathy Bates and Leslie Jones.
Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
The thing with food is that you can give 20 people the same recipe and the same ingredients, and somebody's going to make it better than somebody else, and that's the creativity of it. It's like music. You could have a bunch of people playing the same piece, and somebody's gonna play it better.
I'm just kind of in love with Kathy Bates. And Sarah Paulson.
I grew up watching Kathy Bates, and 'Misery' is one of my favorite films.
There's no shame in somebody who doesn't necessarily do that job knowing a little bit more in that instance than you might know about your own job, you know, and I think that is where movies are such a collaborative art form.
For the most part, I really love being in a collaborative thing. And in a collaborative thing if you have a singer as good as Sean Smith or Eddie Vedder, you kind of think, well, why don't you just go ahead and let them sing? People seem to really like it.
That's the most beautiful thing that I like about boxing: you can take a punch. The biggest thing about taking a punch is your ego reacts and there's no better spiritual lesson than trying to not pay attention to your ego's reaction.
'Misery' left a lasting mark on me. When I die, it will be 'Kathy 'Misery' Bates Is Dead.'
Kathy Bates is sexy. It's partly because of her talent, but she's got a great face, and a great laugh.
That's the most beautiful thing that I like about boxing: you can take a punch. The biggest thing about taking a punch is your ego reacts and there's no better spiritual lesson than trying to not pay attention to your ego's reaction. That's what takes people out of the fight half the time.
If you look at the greatest performances of women, they're usually older... Anne Bancroft in 'The Graduate,' Kathy Bates in 'Misery.' It's a matter of characters having a life experience that makes them interesting.
All you have to do is play better than the other guy and things go well. If you don't play better than the other players then somebody takes your place. Now a lot of guys, in this day and time with the transient nature of the sport, as soon as the competition gets too good, they want out.
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