A Quote by Bette Davis

Hollywood always wanted me to be pretty, but I fought for realism. — © Bette Davis
Hollywood always wanted me to be pretty, but I fought for realism.
My favorite fight was when I fought Rampage. I always wanted to fight Rampage because of the way he fights. It's about pride. The way he comes forward. My friends in Brazil would always tell me they wanted me to fight Rampage. When I fought him, it was a big deal for me. It was the first big fight I was in. It was a great fight.
I fell in love with the book [ Brief Interviews with Hideous Men] and always wanted to do something with and fought to get the rights, which was pretty fun and an incredible experience in itself.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
I have always fought for respect, I have always fought for survival, so fighting is nothing new to me.
My mom always told me that I could be anything I wanted to be. And I truly, actually believed it. And I fought.
One of the things they always say in Hollywood is pretty girls can't be funny. And it used to infuriate me.
I've always wanted to do pieces that have an integral sense of realism and aren't just there for titillation.
I look back now and think, what was I doing, moving to Hollywood with $2,000 and a duffel bag? But there is no money in martial arts competitions, and in Hollywood, there is an outlet for those skills. And I have always been pretty fearless.
At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
I did not necessarily feel that Hollywood was interested in what I wanted to do. They wanted me to do what they wanted to do.
One of the first production deals I signed, the guy wanted my name to be Minaj and I fought him tooth and nail. But he convinced me. I've always hated it.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
I talk to all the creative directors today, and they take me aside, and they say, 'You know, it must have been great back in those days when you could do anything you wanted.' I say, 'Huh? Excuse me?' I mean, we fought. In the '60s and '70s, you fought wars with clients, and you have to continue fighting wars to do great work.
After two years in Washington, I often long for the realism and sincerity of Hollywood.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
Hollywood has always been good to me. I've never blamed Hollywood for my problems.
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