A Quote by Betty White

If you have one good series, you know, it's a blessing. Two good series is unusual. Three is a phenomenon, but right now, I'm working with these wonderful women on 'Hot in Cleveland,' and Valerie Bertinelli, and Wendy Malick and Jane Leeves are like, it's like the buddy-ship we had on 'Golden Girls' and 'Mary Tyler Moore.'
If you have one good series, you know, it's a blessing. Two good series is unusual. Three is a phenomenon.
Wendy Malick and Valerie Bertinelli make fun of me, but I take care of my health - I don't abuse it.
I'm very happy with the response for everything I've done, but, you know, sometimes you get things like, 'Oh, 'Spaced' Series One wasn't as good as 'Spaced' Series Two.' Or 'Shaun of the Dead' is not as good as 'Spaced,' or, 'Hot Fuzz' is not as good as 'Shaun.' Or, now, 'The World's End' is not 'Shaun of the Dead.'
I am the luckiest old broad on two feet if the truth were known. It's - but it all goes back to 'Mary Tyler Moore,' 'Golden Girls,' all those - actors love to take the credit. We couldn't do it without the writers.
Howard Beale is processed, instant God, and right now it looks like he might just go over bigger than Mary Tyler Moore.
We spent a lot of time together and had a great time with Mary Tyler Moore. And just working with her was like improv.
I love watching old sitcoms. It's very inspiring to watch 'Mary Tyler Moore' and 'Golden Girls.' I have watched them over and over again for years.
[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
I grew up watching 'The Jeffersons' and 'Good Times' as much as I watched The Mary Tyler Moore Show' and 'All in the Family.'
I'm right now wrapping up the sermon series on grace. I'd like to figure out what this next series will be in January. To do that, I'm going to come up with four or five really good ideas - at least that I think are really good ideas - and if I don't sense God really highlighting one of those, I will go to the elders of our church and my co-pastors.
I moved out to L.A. in July and Hot L Baltimore started in September or October. So I had done a few things. I'd done a Mary [Tyler Moore]. I'd done a Waltons. I hadn't done a Rhoda yet I don't think.
To me, it wasn't 'Star Wars' that shaped me; it was more 'Mary Tyler Moore' and, nowadays, 'Louie' and 'Girls.'
I was a regular, so that meant I was working every week on the series. Which was fine. 'Family Ties' was a fantastic series. It's all good.
Pakistan would be confident after their series win over England. The series will be a very close and good contest and if all the players play to their potential we're in for some wonderful cricket.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
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