A Quote by B. B. King

I used to play - when I first started trying to be professional, I disk jockey from 1949 to 1955 in Memphis, Tennessee, and I was quite popular there as a disk jockey. — © B. B. King
I used to play - when I first started trying to be professional, I disk jockey from 1949 to 1955 in Memphis, Tennessee, and I was quite popular there as a disk jockey.
DJs used to be American heroes. No more. Today, being a disk jockey is generally regarded as being slightly more respectable than snatching purses for a living, or robbing graves.
Radio news is bearable. This is due to the fact that while the news is being broadcast, the disk jockey is not allowed to talk.
... All the drivers that started the replace-tape-with-disk movement in the first place - reliability, performance, portability and off-site data movement - are now liabilities in a disk only strategy.
The radio voice, you're in the studio, there's nobody around, and you're using your personality and enunciation skills to get the message across. At the stadium, there are vendors, there are people, the fans talking to each other. It's very difficult. If you were to speak as a radio disk jockey, no one would ever understand what you're saying.
I used to listen to the radio, and when I was about 18 years old, B.B. King was a disc jockey and he had a radio program, 15 minutes a day, over in West Memphis, Arkansas, and he would play the blues.
I used to listen to the radio, and when I was about 18 years old, B.B. King was a disc jockey and he had a radio program, 15 minutes a day, over in West Memphis, Arkansas and he would play the blues.
I was nerdy girl who went to Catholic school and wanted to be an engineer. I was all set to attend the Illinois Institute of Technology. And then I took a hard left turn and studied Liberal Arts at Northern Illinois University, majored in Communications. Then worked in radio as a disk jockey and as the weather girl.
My brother was a radio jockey while I was studying law. I have assisted a lawyer at the High Court. But I decided to give it up. I cleared auditions for radio jockey in the first go, and within a week, I was on air.
I've got an L3 bulging disk and degenerating disk. It's bulging in two places. Yeah, it's not good.
There's two different disks recorded at two different shows. And they're two very different shows. The San Francisco disk was in front of 450 people and was a real professional show where people did their best stuff. So to some people that's going to be their favorite disk.
A good jockey doesn't need orders and a bad jockey couldn't carry them out anyway; so it's best not to give them any.
My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy.
When I started off riding, you dream about being champion jockey. Then I wanted to be champion jockey again. Then I wanted to ride 200 winners in a season. Then, when there was a chance of riding more winners than Richard Dunwoody, that was my goal.
Sir Gordon Richards was the most successful jockey - flat or jumps - there's ever been: champion jockey for 26 years. He set a record of 269 winners in the season 55 years before I broke it. That was my greatest achievement.
I remember my school had some of the first Apple IIs in North Carolina. I remember, when I first started using them, we were using a cassette tape to store programs because we didn't have floppy disk drives.
The second disk was taped at our all-night anniversary show. And some of those sets are taped at like 4:30 or 5 in the morning, when people are a little groggy and not doing what they would do if they knew it was being recorded. That said, that disk has an entirely different flavor. It's more experimental. It has more of the newcomers on it. It has people doing stuff that you won't see on Comedy Central or HBO specials.
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