A Quote by Biju Menon
Rather than doing a hero-oriented film, I love being a part multi-starrer film, because such films always strike a chord with audience.
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I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
I don't know how any film can bother you. It doesn't have to do with multi-starrer films. If you are insecure, you can feel insecure being the only girl also.
The audience for 'Lootera' is far less than for my other kind of films. Just because I pulled it off doesn't mean I will change my tastes. I love to watch masala films, and I love to sing, dance and say those larger-than-life dialogues. But whenever I get a chance, and I really feel the connect, I will do a performance-oriented film.
If you have a meaty part to play, I don't see the harm in being part of multi-starrers. Moreover, I will be happy to be a part of a good film than playing lead roles in some bad films.
I never made this film with the motive of making money. I wanted to make a different film, which would strike a chord with the audience. I'm extremely happy that 'Mithunam' succeeded in what it wanted to achieve.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
I don't think a multi-starrer or a solo film has anything to do with your choice of films. That is a bit of a primitive concept, really. Yes, you might want to keep a healthy balance, but that has more to do with the kind of roles you are playing.
I don't believe in misconceptions in art and films. There are always so many different ways to relate to or understand a film. I love films that give a great amount of space to the audience to explore or be active with what the film is saying.
I am going to do a film with Harish Shankar. He is the only director who has offered a multi-starrer to me.
No one watches 'Taxi Driver' and says, 'Oh, it's a male-oriented film.' No one looks at nine-tenths of the films out there that are headlined by men and say, 'It's a male-oriented film.'
My introduction into the film industry happened with 'Masaan,' which was a multi-star cast film. I was just a part of the film.
I think films are about having a good time, so I don't know that there's a message. The message of a film is always what a critic writes, and the fun of a film or the emotion of a film is what the audience feels.
All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film... it all just depends on the story and the people behind it, really.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
All my films I have shot in chronological order - always. And the reason is that there's a moment that the screenplay is the notion of the film. But when you start doing a film... the work itself starts being transformed, and you have to surrender.
People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
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