A Quote by Bill Viola
If you look at landscape in historical terms, you realize that most of the time we have been on Earth as a species, what has fallen on our retina is landscape, not images of buildings and cars and street lights.
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I've always been interested, - if you look back at my work from the beginning, really - I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface. We reshape the earth's surface, from architecture to paving streets, to parking lots and buildings that are really reforming the surface of the earth. Reforming nature, taking over what we find. And we're mushing it around and remaking a new earth - or, what we used to call Terra Nova.
The earth has continued to change, from rapid climatic changes that have caused the glaciers and the ice sheets to basically bulldoze the landscape and cause species compression in the tropics and cause mass species extinction - you know, all these huge changes. In terms of evolution, every species is doomed to eventual extinction. The natural world is constantly changing. So, to deal with "environmental problems," in quotes, totally misses the issue. That is not the way we want to define our problem if we're going to find our solution.
Agriculture changes the landscape more than anything else we do. It alters the composition of species. We don't realize it when we sit down to eat, but that is our most profound engagement with the rest of nature.
I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface.
Just as storms change the landscape of the earth, our hardships change the landscape of the heart.
If you take a step back, you realize that the TV landscape really has been... There have been some amazing shows in terms of representation, but not for Asian people.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
For thousands of years, the most physically imposing buildings on earth were temples, churches, and mosques. But in the 20th century, new houses of worship came to dominate the landscape. Yankee Stadium is the most storied of these contemporary shrines.
How to paint the landscape: First you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
I love Australia passionately. I love our landscape. It's influenced most of my work, really. Almost everything I've written is about the landscape. Trying to find, the sacred, the spiritual in it.
I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable. If we are to realize and maintain our humanity, we must come to a moral comprehension of earth and air as it is perceived in the long turn of seasons and of years.
The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history.
Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.
A town, a landscape are when seen from afar a town and a landscape; but as one gets nearer, there are houses, trees, tiles leaves, grasses, ants, legs of ants and so on to infinity. All this is subsumed under the name of landscape.
Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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