A Quote by Bill Viola

In the mid- to late '60s to the mid-'70s, when I was a student, there was a major change in the thinking about what art can be and how art is made. — © Bill Viola
In the mid- to late '60s to the mid-'70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
From the mid-'70s to the mid-'90s, that was the golden age of the beach volleyball mystique. I was absolutely mesmerized by the best players of that time.
The art market was very different before the mid-1980s: then, art was all about passion, whereas now it's become a commodity.
I used to smoke marijuana. But I'll tell you something: I would only smoke it in the late evening. Oh, occasionally the early evening, but usually the late evening - or the mid-evening. Just the early evening, midevening and late evening. Occasionally, early afternoon, early mid-afternoon, or perhaps the late-midafternoon. Oh, sometimes the early-mid-late-early morning. . . But never at dusk!
I'm a great consumer of kung-fu movies - mid-'70s to late-'80s.
In the mid- to late '70s, there was no one better than ABBA at writing and producing great pop.
I'm really fascinated by lingos and colloquialisms that are outmoded and have gone by the wayside. I love the way people spoke in the '30s, and the amazing slang of the mid-'60s and '70s.
I really love advertising art of the '50s and the way mid-century design was often represented in jazzy, fast art.
In my day, I, myself, in my prime, in the late-'50s-mid-'70s I was about 270-275. After I broke my neck and I was in the hospital for a month or so, I dropped the weight to about 250 and I kept that weight until I retired.
My major was Fine Arts and Education thinking I would become an Art Teacher. I couldn't visualize myself as an art teacher, thinking how it wouldn't work.
I have a weak spot for late '60s-early '70s yippie paperbacks and protest manifestos. I find them at flea markets or online. One of my favorites is 'Right On,' a compendium of student protests made into this 95-cent paperback with the most amazing graphics.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I always say to people that I left hip-hop in '97, meaning that I departed from listening to predominately hip-hop and just started really getting into records from the late '60s, early '70s. And once I made that change, I realized how much great music was made back in the day, and it started to become apparent how much we've lost in music.
My personal style is a big mix. A lot of it's pretty vintage. I love vintage looks. I'm obsessed with the mid '60s era, even '70s, it was a good era for clothes, hair, music, and cars.
I did standup while still working for Johnny Carson in the mid-'60s, thus gaining the advantage of at least getting laughs from him about how I hadn't the night before.
It's almost a social grace to get into the art world, and I'm very wary of it. Art was good in Berlin in the late '70s - there was a lot more guts to art when the Neo-Expressionists were starting up; it was real slapdash; it has real heart to it - but it seems so cold and heartless in America. It's a buyer's market.
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