A Quote by Bill Nighy

I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously, in one way, an attempt to reproduce the way people actually speak, but it's not just an attempt at naturalism. It's stylised and it's heightened, to great effect. It's elegant and it's funny and that's the way to my heart, frankly.
[David] Mamet's the writer I admire most but he's way off from when he tries to talk about what the moral appeal of liberal thought is. His heart is not in it.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
Sex is difficult to write about because it's just not sexy enough. The only way to write about it is not to write much. Let the reader bring his own sexuality into the text. A writer I usually admire has written about sex in the most off-putting way. There is just too much information.
The attempt to live that way, the attempt to treat everybody - it fails all the time - but the attempt to treat people as equals is a good attempt. It's a very good attempt. And there have been very few governments that have come anywhere near it in the past. The Greeks began to, the Romans began to - they both failed.
Finally and most important of all, authenticity means that you must do what you do the way you do it and allow everyone else the same courtesy. There was a time I wanted to be like every famous writer that ever lived. I tried to copy styles, reframe information, use similar artwork. I almost drove myself crazy! Now I just do what I do. I have mentors. There are people whose work I admire, but I write the way I write. I eat the way I eat. I dress the way I dress. I can't believe that God made us each so unique only to have us do everything the same way.
There is much to admire in Peter Brett's writing, and his concept is brilliant. There's action and suspense all the way.
I really admire Airbnb as a pioneer of the sharing economy and for building community. They've found an elegant way to help hosts make more money and for guests to have authentic experiences. It brings those people together in a unique way.
I just finished writing an essay about William Maxwell, an American writer whose work I admire very much.
They suffered from the terrible delusion that something could be done. They seemed prepared to make the world the way they wanted it or die in the attempt, and the trouble with dying in the attempt was that you died in the attempt.
Confound you handsome young fellows! You think of having it all your own way in the world. You don't understand women. They don't admire you half so much as you admire yourselves.
I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people.
Comedy is a very delicate business, especially comedies that sort of attempt to do things in an honest way and in a very naturalistic way the way that 'No Strings Attached' is.
At first I was very anxious about starting Twitter, because I didn't really know what was expected of me. I now feel fairly relaxed, in that's it a way of telling people things that you are doing, without any attempt to be entertaining. To me, even funny people who are tweeting, it just gives a glib impression. You know that it's been constructed, that it's not a thing that's just happened in that moment. So whatever you read, the best you get is, "Eh."
David Foster Wallace is a big idol of mine. His writing is so clear that for years I'd read him and think, My God, he is actually writing the way I think. He's describing the thoughts in my head. And then I realized, No, wait. He's just such a good writer, so transparent and articulate, that when he describes his thoughts, I think they're my own.
I've been saying it at all our Senate Democratic retreats we need to speak to the heart, not in a manipulative way, not in a way that brings forth everybody's fears and resentments, but truly to speak to the heart so that people know that we're actually on their side.
There are people whose work I greatly admire who just don't write to my experience in any way.
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