A Quote by Bill Nighy
Actors always talk about taking their work home and I always think: 'What are you on? You just turn it off. You are at work and then you go home.'
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I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.
I don't always feel sexy even though I have to look it, and I've just learned to go into on-and-off mode. I'm a mom at home, and then I go into work, and it's nice to have that contrast. I see a different person in the mirror when I'm at work with hair and makeup than when I'm home.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
I don't know how anybody can work at home. I know I can't. It's just... there's too much to do at the house, and now, of course, I have a daughter that's at home, and she's always a draw. I can always drop what I'm doing and go play with her, and I do that all day.
Usually women are the lynchpins of the family. They carry the brunt of the work at home and of being mothers and of taking care of the children. Not always. I have a wonderful husband, who is a great father and has helped tremendously at home. And I think that men are getting in touch and I think that the role that they have is so important, to be a good father and have a good career and be a good husband. But I think that as more and more women go into the workforce, you have to have more help at home and it becomes more of a sharing of responsibilities.
Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
The nice thing about living in a semi-small town is that I can just go home and switch off. I go home now and I trim roses, rake leaves, wake up early in the morning and scare the raccoons off the lawn! It's kinda nice, that's the way I turn off, in Bakersfield, California.
When I was a kid, I was obsessed with Shania Twain. I would always go sing the song 'Honey I'm Home.' I was, like, 12, and I'm singing about coming home from work and PMS and stuff.
Sadly, my hobby is what I do for work, so I don't go off and go fishing. I go home and veg, and then I go back to work.
I go to work, I do a job, I play a role, and then I go home. I don't wear a cape at home. I'm not an invulnerable alien at home.
People think I work a lot more than I do. I think because you're in people's living rooms every day they're like: 'Oh my God, you're always on the telly,' but it's like, 'Yeah but you always have to go to work every day nine till five whereas I finish at 12:30 P.M. and then I'm home.'
When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all.
I don't know how other people perceive the lives of actors, but my life is fairly ordinary. I go to work, I come home, I put my kids to bed. If I'm home in time for dinner, I have dinner, and then it's bedtime.
Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.
There's no way you can go home and learn lines, because you need to go home and sleep. So I've figured out systems. I order two lunches so I can eat dinner before I leave work, so when I get home, I can just go to bed.
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