A Quote by Bill Oberst Jr.
I love swimming in the darker seas, so even if I play a noble guy (well, like Lincoln for instance) I am pre-disposed to try and show the conflict; the regret; the less-than-perfect choices that any human faces. That's what I like and it seems to be what the camera likes to see me do.
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There are roles out there I want to play that I don't know if I'll ever get the chance to. But I'm not going to waste time waiting for those phone calls, passing up the chance to do these sorts of things. I'm more likely to go see a smaller, darker indie film, like Felony for instance, than I am to see an Avengers or perhaps even a Terminator.
I know exactly what that movie's [Brokeback mountain] about. I can't define it; it doesn't tie up in a perfect bow. But it's about adolescence. It's about what it feels like - this isn't meant as a criticism, but like things I didn't relate to, which were high school movies. Where I'd watch it and I'd be like, "Well, am I like the kid that nobody likes? Or am I like the person who everybody [likes]?" I couldn't [tell]. I was like quantifying, putting me in a box. "This is my personality at that age" and "I'm this kind of person" just felt like bullshit to me.
Human beings are like detectives. They love a mystery. They love going where the mystery pulls them. What we don't like is a mystery that's solved completely. It's a letdown. It always seems less than what we imagined when the mystery was present. The last scene in `Blow Up' is so perfect because you leave the theater still dreaming. Or the end of `Chinatown,' where the guy says `Forget it, Jake, it's Chinatown.' It explains so much but it only gives you a dream of a bigger mystery. Like life. For me, I want to solve certain things but leave some room to dream.
I'd love to play a villain in a movie, the kind of bad guy you would never think of me being able to play. Like most people, I have a darker side I'd like to explore onscreen.
Conviction brings a silent, indefinable beauty into faces made of the commonest human clay; the devout worshiper at any shrine reflects something of its golden glow, even as the glory of a noble love shines like a sort of light from a woman's face.
I post less-than-flattering selfies and don't try to change who I am to make people like me. I try to show people that they don't have to be afraid to show their goofy side.
Carrying my own show again is exactly what I want to do. I loved my experience on 'Less Than Perfect' so much and I would like something like that again. I love half hour - I feel like it's where my heart and soul is somehow. It's the perfect combination of fun and light and extremely challenging.
I love you just the way you are but you don't see you like I do. You shouldn't try so hard to be perfect. Trust me, perfect should try to be you.
So in terms of a large part of the job on our show specifically, what makes the show complex and interesting and funnier are the conversations about "Where's the camera?" and "How aware are the characters of the camera? Are the cameras hidden for this shot? Is it a spy shot from far away? Or is it really close and in their face, and they sort of have to play to it in an embarrassing situation?" There's a whole other level of questions and choices that come into play on our show that are not even a factor in anything else.
I like a guy who makes me laugh, doesn't care about the fame, the show, he just likes me for me, he likes Nicole.
I love to hear a choir. I love the humanity... to see the faces of real people devoting themselves to a piece of music. I like the teamwork. It makes me feel optimistic about the human race when I see them cooperating like that.
Racism is taught in the home. We agree on that? Well, it's very hard to teach racism to a teenager who's listening to rap music and who idolizes, say, Snoop Dogg. It's hard to say, 'That guy is less than you.' The kid is like, 'I like that guy, he's cool. How is he less than me?
I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
I'm kinda racist... I don't really like dark butts too much... It's rare that I do dark butts. Like really rare... It's like, no darker than me. No darker than me. I love the pool test.... If you can be like 'Yo, baby. I met you in the club. Let's go back to my house. Jump in the pool exactly like you are.'-And you don't come looking better wet than you were before you got in the pool then that's not a good look.
Show me a sensible person who likes himself or herself! I know myself too well to like what I see. I know but too well that I'm not what I'd like to be.
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