A Quote by Bill Ward

When I write, there's always an image, sometimes a color attached to what's being created. — © Bill Ward
When I write, there's always an image, sometimes a color attached to what's being created.
When I write, there's always an image, sometimes a color attached to what's being created. I am delighted with the captured expressions - from my head and my heart. Their arrival onto canvas is beautiful.
Every single human being is created in the image of God; created for dignity, created for the Father's love, created for kindness, created for mercy.
It is true that all men are created in the image of God, but Christians are supposed to be conscious of that fact, and being conscious of it should recognize the importance of living artistically, aesthetically, and creatively, as creative creatures of the Creator. If we have been created in the image of an Artist, then we should look for expressions of artistry, and be sensitive to beauty, responsive to what has been created for us
The best thing we've learned is when you are attempting to write a full song, write a full song that day. When we first started, we would have great ideas, but there's something about a moment and a vibe that's being created in time that when you return to it, it sometimes works, and it sometimes doesn't.
The term 'web-series' has a stigma attached to it because it was created at a time when the only web-series that were being created were being created by people who would have loved to have a television show, but they couldn't. So they created a web-series instead, on their own dime. And those series look cheap because of it.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
This society is driven by neurotic speed and force accelerated by greed and frustration of not being able to live up to the image of men and woman we have created for ourselves; the image has nothing to do with the reality of people.
Sometimes the fragment of a conversation, the color of the sky, the image in a dream, has everything to do with where the song begins.
Always been purple. Like I remember being in the first grade, looking up at the color charts, and saying, 'Man, purple is the best color, man, it's the best color, it just is the best color.' I have a lot of purple shirts and stuff, I'm always wearing purple.
In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
My works really begin in a very simple way. Sometimes it's an image, and sometimes it's words I might write, like a fragment of a poem.
Only ambition is fired by the coincidences of success and easy accomplishment but nothing is quite as splendidly uplifting to the heart as the defeat of a human being who battles against the invincible superiority of fate. This is always the most grandiose of all tragedies, one sometimes created by a dramatist but created thousands of times by life.
Man first creates the universe in his image, and then turns round to say that God created man in his image... As Voltaire quipped, if God created man in his image, man has returned the compliment.
Sometimes I'll get ideas in the middle of the night. Sometimes at 3 in the morning I'll get up, and I have a notebook by my bed and have to write it down. I'll dream an idea. Sometimes I see an image online, and I think, 'OK, let's make that a three-layer cake!'
Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.
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