A Quote by Billy Bob Thornton
These days movies are cut very quickly and sort of fragmented and I tend to do slower moving stories where people develop relationships with people. I think I'd probably do a lot better if I lived in Europe - I think it's more of a European sensibility somehow.
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I've lived all over Europe, spent a lot of time in London, went to school in Scotland, college in America, so I do think I have sort of a sensibility on a fairly global level.
The thing that I regret is not having better relationships with a lot of people. Being the hard-nosed guy that I was, I think I could've come off a little bit better in my relationships with a lot of people, and I didn't.
I think religious movies are more of a subset of the broader historical trend, and also the fact that there is more history in Europe, whereas in America, America is about the future. People in Europe think more of the past, and that's why I think filmmakers are drawn to it more.
I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.
People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.
I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships. We all become afraid. We all look at others and think these other people are more fortunate than us. Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
I think that Europe has to get its act together very quickly. The Belgian guy who's leading the negotiations against Brexit, he sees it as a whole chance to reboot Europe and reclaim the kind of social mission of Europe from all this corporate, bureaucratic, globalist stuff that has got into, building Europe for the people rather than the banks, again.
I think that for a lot of actors - especially American actors - to get line readings and to be told and have your director literally act out the part for you is sort of discouraging in a way. It's a very Eastern European thing to do - a lot of directors that I worked with in Russia did that as well. And, I never took that as an insult, as many actors tend to do. To me, I think it's just offering a certain energy - offering their flavor - and, instead of trying to sort of decode and communicate it to you, they just show you their flavor of what it should be.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
The people who are rising, they're super ambitious. They have relationships with people above them. They have relationships, hierarchical, sort of people below them. A lot of people do not have relationships horizontally. And there's a lot of people who reach high political offices, but who are weirdly lonely, weirdly lacking in intimacy skills.
We think Android is very, very fragmented, and becoming more fragmented by the day. And as you know, Apple strives for the integrated model so that the user isn't forced to be the systems integrator.
I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.
I'm very very happy for my hardships and misfortunes: they build character and make you a better person. Even if I think it's something you have to carry with you, it's definitely something that makes you more empathic towards other people, makes you understand people and relationships so much better.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I think clearly Europe has a lot to worry about. When I was working at the CIA - and I always worked with a lot of European services - they always were very condescending toward the United States, saying that we are so racist vis-à-vis blacks and other people.
When you're looking for stories or movies usually the great stories are about people in their 30s or 40s because they've lived more life and they're usually accomplishing more incredible things. But when there's an interesting story about someone that's your age, you immediately - especially when you're younger - are like, "Wow that's crazy! There's not very many of these."
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