A Quote by Billie Joe Armstrong
With the video for Boulevard of Broken Dreams we were going for something a bit like Ladykillers, you know? Pretty and demented at the same time...like me!
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Pretty and demented at the same time, like me.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
There is something very unstabilizing about not knowing where you're coming from or where you're going. There's something very romantic about it, because you have this search for the unknown. But at the same time, sometimes I'm like, "God, if I were to die tomorrow, where would I like to be buried?" I wouldn't know. That's kind of a heavy thought, but it's a fact. You don't know anymore where you belong.
Some people, they can't just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just...something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remembering and getting on at the same time.
Going back to the moon is not visionary in restoring space leadership for America. Like its Apollo predecessor, it will prove to be a dead end littered with broken spacecraft, broken dreams and broken policies.
I don't happen to like pretty things. I don't like pretty dresses. I like more attractive. I like people that look a little bit more offbeat. I don't like the classic pretty face. That doesn't mean it's not pretty or it's not wonderful, and most people don't agree with me, but that's the way I think.
I would say I'm pretty much the exact same as the stereotypical American kid. I mean I'm really lazy, I play a lot of video games, I like girls. I like, you know, the violence and action type thing.
Something's bound to happen to you in a tough fight: cut eye, broken nose or broken hand or something like that. So you could make excuses out of anything, you know, but you got to keep on going if you're a champ or you're a contender.
I think it's basically quite different from dreams. If only cinema was that easy. Because dreams, all you have to do is fall asleep, and you can have fantastic vision. I know Baudelaire and people like that enhance their dreams with opium or something. But films are very constructed - they're like architecture. They're pieced together, glued together. To me, it's a craft. It's like making a tapestry.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
Love is blind and little did I know, you were just another dead end road. Paved with pretty lies and broken dreams.
I've had a reoccurring dream about hanging out with Britney Spears, so maybe it would be fun to chill with her for a bit? Like, see what makes her tick. I had this dream once about Britney, that we were going to get married or something, and so I had to meet her parents but we were stuck on a beach in these sand dunes - and at this point between the dreams and self-portrait, you know way too much about me.
When you go to Africa and you see people who are just like you and me - this is always my starting point. These are people who are just like you and me. The same synapses, same things are firing off in their heads, same dreams for their children, same hopes and aspirations that we all have. What can one do to reduce the possibility that their chances of a happy and healthy and prosperous life are not solely determined by the accident of where they were born?
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
I was born deaf. I was raised in a hearing world and in a deaf world at the same time. I can't say that I like one better than I like the other. I like them both. I speak pretty well; I gesture. If I don't understand something, you know, pen and paper, texting. I use it all.
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