A Quote by Billie Joe Armstrong
The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.
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If women choose guerilla style filmmaking or new media productions, etc., all power to them. But if they're there because 'Big Hollywood' won't let them in, then we're moving further and further away from equality.
The difference between ordinary and extra-ordinary is so often just simply that little word - extra. And for me, I had always grown up with the belief that if someone succeeds it is because they are brilliant or talented or just better than me... and the more of these words I heard the smaller I always felt! But the truth is often very different... and for me to learn that ordinary me can achieve something extra-ordinary by giving that little bit extra, when everyone else gives up, meant the world to me and I really clung to it.
The basic difference between an ordinary man and a warrior is that a warrior takes everything as a challenge while an ordinary man takes everything as a blessing or a curse.
I realise I'll have to acquire the ability to speak to my audience in between numbers. I've never had to do that. On the street I only focus on the keyboard settings for my next song, which takes a bit of time and a lot of concentration. So I'll have to develop that new skill, which gives me pause, because I'm afraid I'll say something stupid and disillusion people when they realise I'm an ordinary earthling - in fact, as ordinary as anyone else on this planet.
An inert historical fact is any fact about a perfectly ordinary arrangement of matter in the world at some point in the past that is no longer discernible, a fact that has left no footprints at all in the world today.
John Belushi infused Animal House with this spirit of guerilla filmmaking. John Landis came from that world too, and all the National Lampoon writers were from that world. It was just chaos on film. Controlled chaos, though. We stayed very close to the script. It was a very formal kind of movie, if you look at it. Formally photographed and structured, with certain elements of improv.
I felt like I was a writer, and I just thought filmmaking was the best way for me to express that, because it allows me to embrace the visual world that I love. It's allows me to interact with people, to be more social than fiction or poetry, and it felt like the right way for me to tell the stories that felt pressing to me.
This was truly guerilla filmmaking. We shot out in the middle of nowhere in a place called Delta Flats, where basically every day was some new minor catastrophe.
Jesus is not directing the angelic choir, taking long naps, or doing crossword puzzles. He is completely focused on building his church, the hope of the world.
I think the rules will change and I think more and more young women are going to decide that having a family and taking care of a home is not a bad choice, but how do we subsidize it - not necessarily European-style socialism. It'll have to be a new more creative, dynamic and local solution.
I grew up in a modern home, but my grandmother lived across the street in an old house that was built when churches were illegal in Mexico. She had a chapel in the home, right between the kitchen and dining room.
I like the New York style of funk, the California style of funk, but the South I never felt like - and Atlanta particularly - got the credit for taking their lessons and progressing on it.
It takes more than a great church to reach a city, it takes a great movement of churches.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
At a time when many churches throughout the world are experiencing significant decreases in numbers, The Church of Jesus Christ of Latter-day Saints - though small in comparison with many others - is one of the fastest growing churches in the world. As of September 2013, the Church has more than 15 million members around the world.
I really like Jason Blum a lot. We're friends, and while we make wildly disparate films, we share a philosophy about low-budget filmmaking, about taking chances on young filmmaking, taking risks and obliterating our salary so we can make something cheaply and if it wins everyone wins big.
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