A Quote by Billy Crudup

You have to deal with rejection at every stage, whether you audition for the part and don't get it, you get the part and it gets terrible reviews, or it gets great reviews but then nobody sees it.
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
One question you ask as a writer or any kind of artist when you start making something is, 'Does this have reason to exist in the world?' And you're reassured when you get little confirmations that people are pleased it did exist - whether they buy a ticket, whether it gets good reviews, whether it transfers.
I've had movies bomb with terrible reviews, I've had movies make a lot of money with terrible reviews, I've had movies get good reviews and make money. And I like it best when the movies do well and the reviewers like them.
So it's discouraging and, yet, when you make a movie like Wonder Boys, in a sense it's its own reward, because it does move people, it gets great reviews, and it becomes part of that library of movies that exist out there. As time goes by, it will find its audience.
This is sports. In sports, you win and you lose. That's the nature of sports. You can't get away from that part of it. And if you get too hung up on the losing part, then you miss the boat. The competition part, a game like that, is why you play sports. That is as good as it gets.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
I get a sick joy out of bad reviews. I don't read good reviews.
I always had a trunk full of good reviews. I'd get magnificent reviews, and I'd be standing out on the unemployment line!
There's two kinds of press that you get when you put out a TV show: The reviews, and the people that just decide what the reviews say.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
The worst thing you can do is make a cult movie. That means you got three great reviews and nobody went. An art film means it got a lot of good reviews and nobody went. There is no such thing as a counter culture now. What used to be considered that is commercial now.
Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one.
I get terrible reviews everywhere I go.
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