A Quote by Billie Holiday
I try to improvise like Les Young, Louis Armstrong or someone else I admire. What comes out is what I feel.
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I think that anybody from the 20th century, up to now, has to be aware that if it wasn't for Louis Armstrong, we'd all be wearing powdered wigs. I think that Louis Armstrong loosened the world, helped people to be able to say "Yeah," and to walk with a little dip in their hip. Before Louis Armstrong, the world was definitely square, just like Christopher Columbus thought.
My dad always pointed out Louis Armstrong's pad when we passed by there. And me and my dad were both proud Louis Armstrong was from New Orleans.
I actually wanted to be a jazz musician first. My grandparents introduced me to Louis Armstrong. I loved Louis Armstrong so I took up the trumpet and just did that every day and practiced that.
When I was a young man, I shined the shoes of Louis Armstrong and Louis Jordan! Music was just everywhere like that. And in my family, everyone could play something, and if they couldnt play, they could sing.
The whole point of Louis Armstrong is that no one can really figure him out. There was a while where I thought you could try.
[Louis Armstrong] could play a trumpet like nobody else, then put it down and sing a song like no one else could.
When my sister and I were kids, swimming down in Charleston, there was this pizza parlor that had this old Dixieland band play, and I just loved Louis Armstrong and the sound of his voice, and I got up there with the band and started singing Louis Armstrong songs when I was a kid. I have no idea why, but I did it and I loved it.
[Louis Armstrong] was the only musician who ever lived, who can't be replaced by someone.
It's the hardest thing in the world to put yourself in someone else's place, try to really feel what they feel, figure out why they do the things they do. Especially when it's easier to stick a label on something. Or someone.
What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
I can play the trumpet. Before I became an actor, I wanted to be the next Louis Armstrong. I started young and got to grade seven. When I turned 13, everyone started whipping out guitars, looking cool and joining rock bands, so I stopped playing.
If you don't like Louis Armstrong, you don't know how to love.
Sometimes when we try to get outside of ourselves, to be like someone else, you miss out on so many beautiful things that you don't know that you are because you're looking at someone else.
I feel really happy like with 'Derry Girls,' I feel happy to be part of something that young people are like, that is dysfunctional and you feel awkward in relationships and you try to find someone that makes you feel comfortable.
I just want young people to read my books and feel cared for, feel safe, feel like there's someone else in the world who understands - or at least acknowledges - your existence.
There's no appreciation for the giants [of jazz]; there's never been a major film on Duke Ellington , never a major film on Louis Armstrong. What they accomplished, we could never accomplish today...What's happening now is lightweight compared to what happened before. If Louis Armstrong was alive today, he'd be a superstar. If Art Tatum was alive today, my god, all the piano players would get on their knees. So that's what's missing today; we've been cut off from our heritage.
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