A Quote by Blake Lively
When I moved to New York, I started switching fragrances. Between different seasons I would change fragrance, or if I was going out for a big fancy night versus going out in the daytime. But I also found that I was changing and growing so much.
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The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.
Why are some people like Chuck Schumer, who`s probably going to be leader of the Senate, why is he switching from a big city financial center pro-trader to being an anti-trader? Is that because of upstate New York? What`s going on? I can`t figure this out.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
When I first went to New York, I didn't really go out to clubs. It was the height of Culture Club so I didn't really have a social life. It was only after I had been to New York a few times that I started going out.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
When I moved to New York, I was waiting tables, painting in the daytime and working at night, and I felt it was possible to find a balance and just about get by.
The wide wonder of Broadway is disconsolate in the daytime; but gaudily glorious at night, with a milling crowd filling sidewalk and roadway, silent, going up, going down, between upstanding banks of brilliant lights, each building braided and embossed with glowing, many-coloured bulbs of man-rayed luminance. A glowing valley of the shadow of life. The strolling crowd went slowly by through the kinematically divine thoroughfare of New York.
Being a New Jersey native, going down to the shore for my whole life, it's a big thing that out of towners are very much looked down on and there is a real conflict between the locals and the Bennies - people that are out of towners, not from the shore. That's slang going back in the day.
I decided to go to the night, myself, and started to go out to the fields, where I would encounter things that I cannot see very well, that I cannot detect very well, and to put myself in a position where I'm going to be suspected as a being entering a territory of other beings, and I'm also going to suspect them. I have to be very alert, and they are going to be very alert - this kind of position I felt was very much what is going on in the world for me.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
When I moved to New York, I didn't know how much improv and comedy would play into my life. I thought I was going to do theater and Broadway and stuff.
When I moved to the United States, I first went to California to be the chef at Campton Place. As much as I loved California, I really missed the seasons. So when I moved to New York, I had that again.
I'm not used to going out every single night, which you can do in New York.
Fashions change and with rare exception are forgotten by the public. But the classic fragrances, like an invisible dress, endure. Fragrance must be introduced properly. A fragrance is like a signature, so that even after a woman leaves the room, her fragrance should reveal she's been there.
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