A Quote by Beau Willimon

You just have to re-wire your brain when you’re shifting from the stage to the screen, or the silver screen or the HD flat screen. — © Beau Willimon
You just have to re-wire your brain when you’re shifting from the stage to the screen, or the silver screen or the HD flat screen.
You just have to re-wire your brain when you're shifting from the stage to the screen or the silver screen or the HD flat screen.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
Most of my work is okay to look at on a TV screen or a flat screen, but this is actually much better in a theatre.
I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.
I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
'Screen time' is meaningless - what matters is what you do while on the screen. The good, the bad, and the ugly faces of screen time will all have to do with which activities you engage into.
You could have the biggest screen, you could have the clearest screen. But if there is not great content on this thing, that big-screen TV is not a huge value to you, even though it has the best picture on the planet.
The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
TV is a different animal. I belong on that little screen. The big silver screen, not so much, 'cause I've seen my face up close when it's 25-feet tall. I'm okay as long as you keep me in that little box.
What happens off-screen definitely informs your performance on screen.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
Consciousness is the screen. The images on the screen are your perceptions, the illusion that life is solid, that there is a material universe.
To me, sex appeal means that when an actress is on the screen, she just engulfs the whole screen.
I get on the airplane and there's a screen in front of everything. You get into a taxicab in New York, there's a screen blinking at you. I think it's going to have a tremendous effect on our brains, because those bright, saturated colors and those strong lines, they do things to your brain.
Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.
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