A Quote by Bob Galvin

I emphasize listening. We strive to hear what other people want us to hear, even though they don't always come out and say it directly. — © Bob Galvin
I emphasize listening. We strive to hear what other people want us to hear, even though they don't always come out and say it directly.
I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.
With respect," said Red, and his voice had gone so quiet people hushed each other to hear him, "my tale is yet unfinished; you should hear me out. And it is her answer I have come to hear, not yours.
When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
The thing is, the kids always rebel against what the parents try to push on them so I'm going to pretend like I don't want my son to hear the rock. I'm going to listen to it only in my private chambers. He'll hear echoes of it and say: "What was that you were listening to papa?" And I'll say: "Nothing son, you're not ready."
I want people who will stand up to me. People who are not afraid to say exactly what's on their minds, even though that's probably not what I want to hear. That's what I want.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
I want a voice. I want people to know who I am and hear my story. I want people to see me get in the ring and give it everything I have, even though I come from a broken home.
It's always interesting to me that we all hear music differently. It's an awesome experience to hear what other people hear.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I hear what people say, I read all the reviews, all the blogs, and I am always curious to hear it, because you can't always listen to the good press, you have to hear the bad press, too.
Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.
I am constantly concerned about being quoted in the press and perhaps saying the wrong thing or having what I say misinterpreted and bringing reproach to the name of Christ. People do not come to hear what Billy Graham has to say; they want to hear what God has to say. Jesus tells us not to be misled by the voices of strangers. There are so many strange voices being heard in the religious world of our day. We must compare what they say with the Word of God.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
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