A Quote by Bob Dylan
Well, it's always been my nature to take chances My right hand drawing back while my left hand advances
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I have never been able to write with anything more than the left hand of my mind; the right hand has always been engaged in something to do with personal relationships. I don't complain, because I think my left hand's power, as much as it has, is due to its knowledge of what my right hand is doing.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
My left hand is my thinking hand (image), my right hand my doing hand (sequence).
When two terms belong to the same category, it is proper to construct conjunctive propositions embodying them. Thus a purchaser may say that he bought a left-hand glove and a right- hand glove, but not that he bought a left-hand glove, a right- hand glove, and a pair of gloves. 'She came home in a flood of tears and a sedan-chair' is a well known joke based on the absurdity of conjoining terms of different types. Now the dogma of the Ghost in the Machine does just this. It maintains that there exist both bodies and minds.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
When your move with your left hand can be just as potent as your right hand, I think that's pretty special. I think that's why Kyrie's the best, because he finishes so well around the rim with his left or right.
I always pet a dog with my left hand because if he bit me I'd still have my right hand to paint with.
...I remain restless and dissatisfied; what I knot with my right hand, I undo with my left, what my left hand creates, my right fist shatters
For me, travelling and drawing the world, experiencing as much as possible first hand, has been very important. Making notes, drawing and writing on the move, became second nature.
Sometimes I draw with my left hand and I am pretty terrible. The drawings end up just looking like shakier/inconsistent (worse) versions of my right hand drawings. Sometimes I like drawing with my eyes closed.
When we pull away, he rests his hand on my thigh pressed next to his and we ride like that for a long time; the only time he moves his hand is to take better control of a sharp curve or to adjust the music, but he always puts it right back. And I always want him to.
There are times I'm approaching turns with my right hand on the brake lever, I'm downshifting with my fingers, I'm controlling the throttle with my left hand and steering into the corner with only one hand on the wheel. I feel a bit like Jimi Hendrix: I play with both my hands.
Take my hand when you are worried Take my hand when you're alone Take my hand and let me guide you Take my hand to lead you home.
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.
One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.
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