A Quote by Bob Crane

Audiences won't buy an Ozzie Nelson walking and talking around about Rickie's new bicycle. — © Bob Crane
Audiences won't buy an Ozzie Nelson walking and talking around about Rickie's new bicycle.
I love interaction with audiences. If were my choice, I would spend most of my time interacting with audiences. Walking around and asking them to challenge me.
In the winter I was with Nelson Piquet. He was talking about his capacity to race faster. He said that he was still learning new things all the time.
New York City revived around the team. I don't think you can look at the recovery of New York from the 1970s without, on some level, talking about Steinbrenner. Even if you're just talking about the feel of the city, he was part of a creation of a new sense of optimism.
Everything about 'UY' is new and fresh, and we are extremely happy at the response from the audiences, as most people are walking out of cinema halls with a smile on their faces.
I want to ride my bicycle bicycle bicycle; I want to ride my bicycle; I want to ride my bike; I want to ride my bicycle; I want to ride it where I like...; I don't believe in Peter Pan, Frankenstein or Superman; All I wanna do is bicycle, bicycle, bicycle...
We lived a lovely, middle-class, suburban life in Philadelphia. And I really thought that the TV programs of the '50s, like 'Father Knows Best' and 'The Adventures Of Ozzie And Harriet' Nelson were documentaries filmed with hidden cameras in our neighborhood.
I knew that one movie could either kill my career or give birth to it. It's the same thing with Nelson. If you fail at Nelson [movie about nelson Mandela], you don't get to comeback and say, 'Well, I was trying. Let me do it again.' There are no re-takes.
Who have I been starstruck by in real life? One of the weirdest ones was, when we were making 'Cry-Baby,' David Nelson from 'The Adventures of Ozzie & Harriet.' I couldn't believe he was sitting in my living room. Certainly Patricia Hearst. Tab Hunter. A lot of the stars I've worked with, when I first got them.
You're gonna die. You're gonna die. And nobody's gonna care which version of the iPhone you used to make something on Twitter, or to go and post about your bowel movement on Facebook. And I'm not even talking about legacy; I'm talking about the fact that I personally feel most alive when I'm making something, and I feel least alive when I'm being led around by some obnoxious use of my attention that I wasn't aware of. To me, that's the thing. You can buy the jogging shoes and you can buy the Runner's World, but until you put them on and walk out the door every day, you're just a fat man.
We don't make bicycles anymore. It's all human relations now. The eggheads sit around trying to figure out new ways for everyone to be happy. Nobody can get fired, no matter what; and if somebody does accidentally make a bicycle, the union accuses us of cruel and inhuman practices and the government confiscates the bicycle for back taxes and gives it to a blind man in Afghanistan.
There are so many things to do in New York. I try to get to the theater and see some plays. I have a bicycle over here, and I ride around New York.
If a person's around me talking about '92, or 2005, I get away from them quickly. I don't want to be around anybody talking about the past.
Everybody is so busy talking about 'Twittering' and talking about the new technologies and talking about this and that, but they don't talk about creativity.
There's nothing worse than walking around and talking about your failed relationship, all day, every day, for months on end.
Let's stop talking about new taxes and start talking about creating new taxpayers, which basically means jobs.
Ozzie Smith is out there roaming around like glass.
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