A Quote by Bob Seger

I love working with different musicians in the studio, that's a real joy working with someone for the first time. — © Bob Seger
I love working with different musicians in the studio, that's a real joy working with someone for the first time.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
I'm sure you're always working in your head, but when you're actually physically working, you're in your studio, right? For me, it changes all the time. That's something I really love.
I love working with the same people. When I find someone I love and that I like working with, I don't want to stop working with them.
Working on women and working on different ages and different shapes of bodies? I love women. I love to spend more time with them.
When I am not working as a model, I spend time with my family or working on my art projects in my studio.
When you're indie and you have your hands on yourself and you're not working for someone, you're working with someone and you're dealing with them, it's a totally different feeling involved.
Throughout my 20s it was all about achieving and working as hard as possible. To the point that you don't think twice about working in a music studio with no windows from 11 to 11. And you don't bat an eyelid if you fly four times a week and do promo in a different city each time.
I love music. That's my first love. I'm actually going to start working on that full-time very soon, but I love acting as well. It satisfies a different part of who I am. I love to pretend, to imagine, try new things, work with different people, and just see how far I can go.
So whenever I had some in-between producing time down in my studio I popped a tape in and started working on it. Working a little bit at a time, it actually took almost four years.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
I love working with Prada, I would do it all the time if I could. Working with them is like working on a film: it is very collaborative.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
Every project is different. When I'm working on my albums, I've worked with different producers and they've all had different personalities. The recording studio sets the vibe, and that changes as well.
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