A Quote by Bokeem Woodbine

I was cocky and arrogant when I was younger. I thought that if I delivered a good performance, and put my best foot forward, that would be enough to get people's attention. So in my naivety, I cut my legs off at the knees, because I didn't realize that oftentimes it doesn't matter about the performance... it's the media that creates stars.
Misconception Number 1, the public always thought, 'Reggie has a massive ego; he's narcissistic, he's cocky, he needs everyone to look at him all the time,' because that's what the media told them. Wrong. I could handle the attention. I didn't let the attention affect my performance. But I never needed the attention.
People have said some really good things about my performance, and that's what I'm happy about, what I'm excited about. I was able to go out there, and like I said, I put my best foot forward.
I don't think I gave a good enough performance to be nominated for it. I thought I gave a fine performance, but those things are supposed to be about giving an extraordinary performance.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
Most people move actually into high performance in a crisis because that creates the kind of focus that creates high performance.
I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back.
To be honest, if people thought my performance in 'The Office' was the same as my performance in 'The Hobbit,' it would tell me everything I needed to know about what they know about acting.
When we put our best foot forward, the other one had better be good enough to stand on.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
I don't call cut between the takes - it's my way to help the actor keep focused. As soon as you say 'cut' you have 10 people jumping on them and everybody's trying to do a great job, and they do, but sometimes they forget that the more important thing is the performance, creating the performance.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
I just constantly judge myself based off my performance. When performance isn't good, I let it bring everything down.
Sometimes the work can get in the way and you give a less-good performance, and sometimes it doesn't and you can really get to the heart of something. And all the other stuff is just interesting and adds another layer to your performance. It helps you find the reality. Because you're not just playing yourself, you know? That would be kind of boring.
I never thought I would do a TV show, I never thought I could do it, so I was not expecting a really good performance. It was more about building confidence, and good or bad, I was encouraging other people and pushing myself.
We put our best foot forward, but it's the other one that needs the attention.
When I was younger, I thought you had to be in control of your own life. That takes a lot of discipline, hard work and focus. You just can't let it all fall by the wayside. Later on, I learned that God is really in control of everything. But you still have to put your best foot forward and be the best you can possibly be.
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