A Quote by Bonnie Raitt

I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living. — © Bonnie Raitt
I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living.
When I went over to the States to promote Outrider, everyone was telling me I was a blues guitarist. I'm not a bloody blues guitarist. I'm a guitarist.
Jimi Hendrix came from the blues, like me. We understood each other right away because of that. He was a great blues guitarist.
That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.
People think the blues is sad. They hear people moaning and such. That's not the blues. That's just somebody singing slow...The blues is about truth-telling.
It felt to me like I was living my life in a way that didn't make mockery of my values. That's what I intended to do. So, that became a very radicalizing proposition for me.
Wonder is like grace, in that it's not a condition we grasp; it grasps us. Wonder is not an obligatory element in the search for truth. We can seek truth without wonder's assistance. But seek is all we'll do; there will be no finding. Unless wonder descends, unlocks us ... truth is unable to enter. Wonder may be the aura of truth, the halo of it. Or something even closer. Wonder may be the caress of truth, touching our very skin.
I think the blues is fine for blues players, but free blues has never made much sense to me.
Do I love the road? Honestly? No - but it's how I earn my living. I also don't have the blues, like it's some kind of fever. The blues is my job. It's what I do.
When the blues came out, it was something pure and undefined, but when all these white groups got hold of it, it became something else that didn't sound anything like the original. So you had Led Zeppelin doing their thing, which had come all the way from the blues.
I had always intended to make a living out of playing blues. But I never admitted it to myself. I don't suppose I could have given a logical reason for it ever becoming possible to do so.
Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another?
I'm not committed to putting myself up for a blues guitarist, even though I love playing the blues.
Blues purists never cared for me. I don't worry about it. I think if it this way: When I made 'Three O' Clock Blues,' they were not there. The people out there made the tune. And blues purists just wrote about it. The people is who I'm trying to satisfy.
Being a guitarist was scary, honestly, as a girl in Nashville. It just felt like no one was gonna ask me to be in a band and play guitar, like I never was gonna get asked to do that.
All the breath and the bloom of the year in the bag of one bee; All the wonder and wealth of the mine in the heart of one gem; In the core of one pearl all the shade and the shine of the sea; Breath and bloom, shade and shine,- wonder, wealth, and-how far above them- Truth, that's brighter than gem, Truth, that's purer than pearl,- Brightest truth, purest trust in the universe- all were for me In the kiss of one girl.
People say to me, 'Oh, being a mother must make you a better actor,' and I think, 'Well, I never sleep, I have very little time to think about anything except when I'm actually there.' I wonder whether that makes me a better actor. I think it must on some level.
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