A Quote by Bono

What's so powerful about the Psalms are, as well as they're being gospel and songs of praise, they are also the blues. — © Bono
What's so powerful about the Psalms are, as well as they're being gospel and songs of praise, they are also the blues.
Gospel songs are the songs of hope. When you sing gospel you have the feeling there is a cure for what's wrong, but when you are through with the blues, you've got nothing to rest on.
A lot of what I listened to growing up was blues, but also folk and indie music. So there's this marriage of songs that structurally are quite bluesy. Sound-wise, there's a lot of indie as well. But you can't really say I'm pop-blues, because that's insulting to blues. It just can't exist.
Blues are the songs of despair, but gospel songs are the songs of hope.
Most gospel music is very vertical. And there's nothing wrong with that - there's nothing wrong with, you know, 'God, we praise you,' and 'hallelujah.' Those songs are very important. But I also like to do songs that are very horizontal, that kind of fit within the fabric of people's everyday life.
Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements.
From the first album, we've had songs like 'The Jack' that are blues based. We also did it in 'Ride On,' where we went into the blues.
Singing about your sadness unburdens your soul. But the blues hollers shouted about more than being sad. They were also delivering messages in musical code. If the master was coming, you might sing a hidden warning to the other field hands . . . The blues could warn you what was coming. I could see the blues was about survival.
On piano, I tend to write either gospel or singer-songwriter songs, sometimes kind of rocking blues songs. But the more heavier rock stuff I will write on bass.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
Music is to be praised as second only to the Word of God because by her all the emotions are swayed. That is why there are so many songs and psalms. This precious gift has been bestowed on men alone to remind them that they are created to praise and magnify the Lord.
There's a lot of women in blues music, lots of strong women and that sort of stuff. It's not the first thing that comes to mind when you think about blues. There were a lot of powerful blues guitar players in the olden times that were women. It's just that when you think about blues, you have this one image in your mind.
Love songs are kind of like hymns if you think about it. Gospel songs are basically songs of adoration about God, or whatever you want to call Him.
I love the intensity of the Psalms. No-one ever sounds bored about God or about life in the Psalms.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
Blues songs, like folk songs, are a continuous stream, and catching the continuities and thefts is part of what puts meaning and complexity into it - also part of the fun of it all.
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