A Quote by Bonobo

Albums are a journey, and I even find that as a DJ, with less than two hours, I can barely communicate anything. So I like to play long sets. — © Bonobo
Albums are a journey, and I even find that as a DJ, with less than two hours, I can barely communicate anything. So I like to play long sets.
I do really long DJ sets - I play for five or six hours sometimes - but the live shows are a bit more compact. The arch of how to tell a story, where the energy is, where you have peaks and drops, where things go up and things come down, that's all being informed by DJ-ing.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
DJ-ing taught me how to create a journey over the space of two or three hours.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
Nothing is so discouraging to an actor than to have to work for long hours upon hours in brightly lighted interior sets.
A DJ can't just play one song. It's about playing a set, or how you connect songs in those two hours, and where you place them.
We used to play a lot of Fela Kuti in the early days of hip-hop. In my DJ sets I'll jump off into rock, salsa, African. I like to play some crazy stuff and see the vibrations of the people.
Golf courses are becoming far too long. Twenty years ago we played three rounds of golf a day and considered we had taken an interminably long time if we took more than two hours to play a round. Today it not infrequently takes over three hours.
Doing DJ sets is like - is difficult to me. Cause you have to find that happy medium of playing what the crowd wants and what you want.
I'm a Syd Barrett fan, and early Pink Floyd, and then about two things from the rest of their career. I don't like them, really. I mean, I like the psychedelic stuff. I listen to the first albums, and even on those, they go off and off and off. Songs that are 20 minutes long. I don't like long songs.
We play anywhere around two, 2 hours, so we're always in shape, but you've got to get yourself in super shape so you can sing that long, play that long, and feel strong.
I can't watch a woman play with herself - to me, it looks like a DJ working the turntables... DJ Diddles.
What the object of senile avarice may be I cannot conceive. For can there be anything more absurd than to seek more journey money, the less there remains of the journey?
I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts.
Your work is to find healing. And I find, for me, it's a little bit at a time, and eventually it's barely there. And the journey is finding what works for you and doing it.
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