A Quote by Bowen Yang

If someone's personality is 'punch an Asian grandma,' it's not a dialogue. I have an Asian grandma. You want to punch her? There ain't no common ground, mama. — © Bowen Yang
If someone's personality is 'punch an Asian grandma,' it's not a dialogue. I have an Asian grandma. You want to punch her? There ain't no common ground, mama.
I have a black Grandma and white Grandma. My white Grandma lives in Fort Lauderdale, paints, and teaches bridge. She's wonderful. My black Grandma, equally wonderful, is my neighbor across the street, Bobbie, who's always insisted that I call her Grandma, and honestly, over the years she's become a real Grandma to me.
My grandma would say if someone else calls you a hillbilly, you might need to punch them in the nose. But if we call ourselves hillbillies, it's a sort of a term of endearment, something that we have co-opted.
Well, but you can eat Grandma's cookies. They're not bad for you. They were made by Grandma. Grandma wouldn't hurt you.
When you're the only Asian in the room, the last thing you want to do is to point out you're Asian. And be the Asian dude.
Grandma, how old is she?" "Oh I don't know." Grandma said. "You'd have to cut off her head and count the rings in her neck.
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
Grandma told me Mama was once caught by the Principal for writing in the front of her book, "In Case of Fire, Throw This in First." I have never had so much respect for Mama as the day I heard this.
My mom and grandma have made clothes their whole life. My grandma had her own factory.
Usually when you're Asian and you're on set, you're the only Asian there. Either you're the token Asian or you're the Asian sidekick.
In the restaurant business, you never want to have enemies, whereas it seems that many politicians judge their success by how high their enemies are and whether they can show that they can hold their ground and give a punch for every punch they take.
I remember one day I came home and shouted to my grandmother, "Grandma, Sarah is pregnant!" Poor Sarah! For weeks before I had read how difficult it was for her to get pregnant. "Grandma! I have news for you!" "What did you learn?" "I have news, Grandma: Sarah is pregnant!" [Genesis 16 - 21].
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
How far would you go for someone you love ? Well, when my grandkids ask me how I pledged my love to their grandma, I'll say, I told her I would die for her, after I found out I didn't have an incurable disease. Then, I ran away while grandma was getting her ass kicked by a pregnant woman that grandpa slept with. You never know when you're making a memory.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
Grandma Redbird: Honey, you have to move past this. Zoey: How Grandma? Grandma Redbird: By living the life she'd be proud of you for living.
A student well versed in even one technique will naturally see corresponding points in other techniques. A upper level punch, a lower punch, a front punch and a reverse punch are all essentially the same. Looking over thirty-odd kata, he should be able to see that they are essentially variations on just a handful.
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