A Quote by Brian Baumgartner
The show is called The Office and while it focuses on the people, the architecture of the space is very important.
Related Quotes
The show is called 'The Office,' and while it focuses on the people, the architecture of the space is very important.
There's a Danish architecture firm called BIG. I love architecture, and I always check out their work; they're very good at reimagining the way we live. They put the human experience as the focus, with access to air and outdoor space.
I did a show called 'Profit' a while back, and I based some of the work on some people that were in office at the time.
I think it modern society as a whole, but definitively in Brazil, spaces are so well divided and there are so many barriers, and so many divisions, so many lines and so many borderlines, basically telling you that you should be here but not here. This is my space and this is your space, and this is expressed very dramatically in architecture, we have a very kind of aggressive, almost medieval concept for architecture, which is basically keeping people out. So you get high walls, fences, and electric fences, and divisions like that.
It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.
All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.
There's a lot of, you know, kind of train wreck TV reality shows out there. And I think Tori & Dean is a great show that really focuses on family, focuses on couples to show that everyone can watch together and enjoy. And that's what makes me the most proud.
Space, space: architects always talk about space! But creating a space is not automatically doing architecture. With the same space, you can make a masterpiece or cause a disaster.
We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good.
That's a big important deal, the way people see you from the stage. Once in a while, I'd ask people, 'How did you enjoy the show?' 'Hey, you looked great.' But how did I sound? That visual look is very important to people.
A woman's mind focuses on feelings, while a man's mind focuses on problem-solving.
Astronauts will remain the explorers, the pioneers-the first to go back to moon and on to Mars. But I think it's really important to make space space available to as many people as we can. It's going to be a while before we can launch people for less than $20 million a ticket. But that day is coming.
I was fortunate enough, after many visits to many wonderful, weird people to come across Burt Rutan, who is a genius in the Mojave Desert. And SpaceShipOne was born and had three flights into space that won something called the X Prize. And from there, we're building SpaceShipTwo, which is ... a beautiful spaceship that is very, very, very nearly completed and will be ready from about next Christmas onwards to start taking people into space.
The first gesture of an architect is to draw a perimeter; in other words, to separate the microclimate from the macro space outside. This in itself is a sacred act. Architecture in itself conveys this idea of limiting space. It's a limit between the finite and the infinite. From this point of view, all architecture is sacred.
Some people say my humor focuses too much on stereotypes. It doesn't. It focuses on facts.
There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.
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