A Quote by Brian Dennehy
My grandfather was a really, really tough no-nonsense factory worker who emigrated from Ireland in about 1900 to Bridgeport, Conn. He had a big effect on me. Those guys who took a great leap out into what they knew not were the ones who were the real stars, the real heroes.
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In my experience, growing up in Brooklyn and all that, the real tough guys didn't act tough. They didn't talk tough. They were tough, you know? I think about these politicians who try to pose as tough guys - it makes me laugh.
Growing up, I idolized Big Boss Man and Bam Bam Bigelow just because they were big guys who could move and were tough. I felt like they both rode motorcycles. And Bam Bam had his head tattooed. Those are the guys who really got me into wrestling.
My great-grandfather, Peter O'Hara, was born in Ireland, I believe, in County Clare. His father, my great-great-grandfather, had actually come to America a generation before when times were very bad in Ireland. He worked in the Pennsylvania area and did well with horses and farming.
Anyone who grew up in the crack era - you know, I grew up in that era - knew that there were also people out - and there are still guys to this day that are out there, you know, obviously drug dealing - but those were the guys who had access and had money. And some of those guys felt responsible to create opportunity for other people and were also aware of the dangers of their work and often aren't really the ones that are encouraging kids to get into drug dealing.
The real guys that I knew were really cool people, who I played basketball with and traveled with on teams and knew their families and knew that they love their family. They just happen to do something that wasn't all the way legal, but it was a part of their life, and you knew that they hustled.
We were a really crazy band. This was in '73. I had my hair real short with a white stripe down the middle of my head. The guitarists had pink hair. We weren't playing CBGB's either, we were playing Statesborough, Georgia, for cowboys on penny beer night. We used to keep crowbars onstage when fights would break out. Those were really wild times.
Even before the mainstream knew about P.O.D., we were going for several years underground. For me, those were the times where it really was about the music and really about the fan base.
My role models in the business were the older guys on my team when I first got there: Gray Scott, Adrian Smith, Roland Taylor. These were the guys who took me under their wing, and really schooled me in terms of what the business was about.
The Oval Office is a place where there's been, obviously, a lot of amazing experiences over a seven-and-a-half year period. My presidency is one where I've had to make some very tough decisions. I guess some presidencies are kind of - were real smooth, there were no real big issues. Well, that's not the way mine is.
We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.
I knew some people at my school who were squatters, and my younger brother was a squatter. I knew those guys: those were the people who said the Russians were the good guys and the Americans were bad. But I was the guy who went to the disco.
I didn’t care…about heroes who could read minds or walk through walls or do magic. The heroes I liked had courage and knew more real stuff than those who opposed them.
My grandfather was originally from the south of China before he emigrated to Malaysia pre-World War II. And I wanted to learn more about the history of the country of my ancestors. I knew I wanted a narrative set in contemporary Beijing. I was really interested in the effect of the rapid social and economic change on ordinary citizens in China.
That is why in adult life, people generally tend to relive rather than live, that is, to repeat the patterns of the past and defend the primary fantasy in the defiance, and avoid the real gamble or real adventure of taking a chance on something new. They are afraid that if they really cry out, if they really ask, if they really scream for help, that it won't come, and they'll be in the same panicky frightened state they were in when they were little.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
The first wave of the Internet was really about data transport. And we didn't worry much about how much power we were consuming, how much cooling requirements were needed in the data centers, how big the data center is in terms of real estate. Those were almost afterthoughts.
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