A Quote by Bryan Lourd

I always tell clients you have to be able to remember why you chose to do a movie: to always be able to look at a movie and know, whether it's good or bad, why you chose to do it.
The Good News borne by our risen Messiah who chose not one race, who chose not one country, who chose not one language, who chose not one tribe, who chose all of humankind!
I had fewer female clients. I don't know why. It was always the men who chose me. And the ones whose secrets I had to hold. I represented Sophia Loren. She was jailed in Caserta for 17 days.
I chose to tell a personal story. When you tell a movie like this that's as emotionally charged as this is, it's a risk. As one of my great cinematic heroes, Francis Coppola, would say, "If you aren't taking the highest, greatest risk, then why are you a filmmaker?"
Even with a small video we will always be able to do a small movie with friends and to show it to someone. You won't get the Oscar for it. But, after all, why are you writing and why are you filming?
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
I know I don't go looking for directors. I always wonder why they chose me.
I never expect anything. I am always amazed at why anybody goes to any movie or why anybody doesn't go to any movie. Any movie you make, you make it because you're hoping somebody wants to see it, but you never know.
I loved all sports, and New York's a pretty good sports town, and the Giants - I don't know why we chose the Giants over the Jets, but we chose the Giants.
I remember when I did 'Mrityudand' there was this big hoo-ha, and people were asking me why I was doing an art movie, and I would just tell them that, 'You know, what's the big deal, it's a movie.' I'm so glad that's a thing of the past.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
I'm always very scared when I start a movie because I never know if I'm going to be able to do a good job or do a very bad job.
I've always been shy and that's partly why I chose a life behind the lens. I like people to look at my work and hopefully it speaks for itself.
When I did Mira Nair's film on AIDS, people told me to stay away from it and even asked me reasons why I chose to do a film on the stigma. My reason for choosing the movie is similar. It is a social reality and there is no harm being a part of a movie like this as it really dissects the reality of the crisis.
In a movie, that's the only time when you're allowed these kind of fantasies to be lived. Being able to look so cool and be able to fight five bad guys and take them down. When can you do that?
I tried to take advantage of the fact that I was not used to making a movie. Movies are still so new to me so I had to use my fascination, and the fact that I'm almost a teenage filmmaker, to my advantage. And that's why I don't pretend to have made a good movie... but one that people are able to feel the love I have for this industry.
When we did 'Chicago' and we announced Renee Zellweger, Catherine Zeta-Jones, Richard Gere, and Queen Latifah, everybody went crazy and said, 'What are they doing? What are they thinking?' And, now, you look at the movie, and you see that we chose the people that we wanted for that movie, and we were so proud of all of them.
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