A Quote by Brian McDermott
I love music, from shanty sea-songs to Calvin Harris.
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I love pop music. I love drum and bass, Calvin Harris, all these electronic things, but it's nice to have something organic as well.
I listen to a lot of Calvin Harris and the latest chart music.
I want to produce more number one hits but not follow trends blindly! What I really hope to achieve in the long-term is to get that cross-over status such as Calvin Harris and Avicii. I'd love to be a household name in pop music.
I wouldn't just lay my voice on anything. But I'd love to do a collaboration, like a Calvin Harris track, for example.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
I mean Calvin Harris needs to holla for sure. But would also love to get Khalid or Kehlani on a record.
I like Jaykae. He's a great artist, and I absolutely love Dr. Dre's album and a bit of Calvin Harris now and then.
I would love to work with Calvin Harris because I think he's a really good songwriter and producer and he does everything, which I like.
I really love Tiesto's album 'A Town Called Paradise' and Calvin Harris' '18 Months' album, he did an amazing job.
At a festival, some people are just there because they're waiting for, like, Calvin Harris to come on later.
I'd like to work with Florence and The Machine, Little Dragon, Frank Ocean, Miguel, Calvin Harris... there are so many artists and producers.
I played with local bands and ended up touring with Scissor Sisters, Mylo, Alphabeat, and Calvin Harris. That somehow changed into DJ'ing.
[Calvin, who has the chicken pox, calls Susie on the telephone.] Susie: Hello? Calvin: Hi, Susie! It's me, Calvin! I was wondering if you'd like to come over and play. Susie: Why, sure! Boy, I don't think you've ever invited me to... Calvin's Mom: Calvin, what are you doing? Calvin: Nothing, Mom. Go away. Calvin's Mom: You're contagious! You can't have anyone over to play! Calvin: Shhhh! Shhhh! You'll spoil the whole thing! I was going to trick Susie into catching... HEY! OW! LET GO! Susie: [Hanging up the phone] Any chance of getting transferred, Dad?
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
The strength of that heretic [Calvin] consisted in this, that money never had the slightest charm for him. If I had such servants my dominion would extend from sea to sea.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
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