A Quote by Brian Wilson

Pop music has been exhausted. The innocence has been exhausted. I think we've lost the ability to be blown away by music. — © Brian Wilson
Pop music has been exhausted. The innocence has been exhausted. I think we've lost the ability to be blown away by music.
I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
In many cases, the decision to study music has robbed them of the ability to play music. They have lost respect for music that comes from within because they have been programmed to feel "unworthy".
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
An exhausted man is much more than a weary man. Does he exhaust the possible because he is himself exhausted, or is he exhausted because he has exhausted the possible? He exhausts himself by exhausting the possible, and inversely.
I naturally make commercial music: it's never been a calculated decision to make pop music. I'm a genuine pop music fan.
I'm envious of the way that electronic dance music has organised itself. It has been able to understand what it ain't rather than what it is. And I think that slipped away from hip-hop as soon as the DJs lost the majority of the say so in the direction of the music.
The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
When human reason has exhausted every possibility, the children can go to their Father and receive all they need. ... For only when you have become utterly dependent upon prayer and faith, only when all human possibilities have been exhausted, can you begin to reckon that God will intervene and work His miracles.
Families don't always realize that mother is exhausted, because mother is always exhausted. Exhausted is what looks normal.
Pop music has been the center of change, you know? And positive messages. I would love to get back to that place because I think we've lost it a little bit.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
This is show business, and there's room for the shows and the personalities. But I think there's also room for music, for people to play music, and there seems to be an audience developing that's willing to go listen to music again, rather than just be blown away by drum machines and choreography.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
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