A Quote by Brian Henson
And then after the success at Melbourne Comedy Festival, then we regrouped back in LA and we went back into workshopping and decided to develop a proper show and that's when we started working on "Stuffed and Unstrung," which is a much bigger and sharper version of "Puppet Up."
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we sent a troupe to Edinborough, and then in Edinborough, there was a producer from the Melbourne Comedy Festival, so we went to Melbourne. So it's one of these shows that kind of organically developed and it started developing momentum way before I even thought there was a show here.
My earliest memories were on the cattle stations up in the Outback. And then we moved back to Melbourne and then back out there and then back again. Probably my most vivid memories were up there in Bulman with crocodiles and buffalo.
Finally, I decided that the proper strategy was to stare back. Boys do not have a monopoly on the Staring Business, after all. So I looked him over and soon it was a staring contest. After a while the boy smiled, and then finally his blue eyes glanced away. When he looked back at me, I flicked my eyebrows up to say, I win. He shrugged
At first I moved from Sydney to Melbourne, because most of the comedy was shot in Melbourne, and then from Melbourne to Los Angeles - and you have to sacrifice stuff.
We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."
Then I contacted Ken, then he called me back, then we had a great meeting. Then he called and asked if I would come back to the show. Which was awesome.
I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.
I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.'
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
In 2007, I had on-paper success. I got to go to that Aspen comedy festival, which was pretty exclusive, I guess. Then I did Carson Daly. That was enough validation.
Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
Then as I was wrestling as Terry Boulder. I was on a talk show with Lou Ferrigno, and I was actually bigger than he was! I went back to the dressing room that night and all of the wrestlers go 'Oh my God you're bigger than the hulk on TV' so they started calling me Terry 'The Hulk' Boulder.
Corporations are legal fictions created by the State to shield executives from liability… It’s like if I had a little hand-puppet, and I went to rob a bank, and the hand-puppet held the little gun and told people to hand over all the money, and then the hand-puppet grabbed the money and ran out, and then I got caught and I handed the hand-puppet over the police and then the police tried the hand-puppet, put the hand-puppet in jail, and I get to keep all the money.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
I am back in LA now. And I keep thinking back to my time in New York after the bombings.... I was crying so much I could not see, and the other diners joined in, and I thought, What do you do with such atheistic evil?
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
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