A Quote by Bryce Dessner

I came from a classical background, and I was teaching and earning a living out of music at a certain level, so it's funny to make it as a rock star when we're 40 or whatever.
When I'm 40, too old to be a rock star, I plan to go back to college to study classical music.
I'm finding that people reading the book [The Heroin Diaries: A Year In The Life Of A Shattered Rock Star] are saying, "You came from one background, I came from this background - you were a rock star, I was a CEO. I didn't have a heroin/coke problem, but I had a pill problem. But I also fell from grace, didn't know how to get recovery, and I am now in recovery." People tell me that their kids read it and told them they'll never do drugs - "This book really shows me where it goes."
I wanted to make an album where every song is kind of interacting - where you can't tell what's the string arrangement and what's the song. I guess that came out of going to college, majoring in music, studying classical music, and even as a kid, being really drawn to classical music.
For a composer of concert music, 40 is actually very young. But for a rock musician, 40 is almost past due, where you think of rock music as really part of more youth-oriented culture.
You can't fake comedy. You can't make it look beautiful or put an interesting bit of music on in the background: funny can only be funny if you're funny.
I'm not a rock star. Sure I am, to a certain extent because of the situation, but when kids ask me how it feels to be a rock star, I say leave me alone, I'm not a rock star. I'm not in it for the fame, I'm in it because I like to play.
My musical background is like almost every non classical musician in the world. One day a special record was heard and that was it. I was hooked, started trying to play various instruments and was off to bar land to become a rock star. What else?
It's very tempting for certain generations to say, 'Well, I just want to be in a band, and I want to be a rock star,' or whatever. That's not what it's about. Firstly, you've got to be in it for the love and the passion that you have for the music, and then you take it from there.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
The Beatles are the classical music of rock n' roll. And rock n' roll is far more widespread than classical will ever be.
My background in music is classical - I did graduate school in music. At that time, I was studying composition, but I was studying classical guitar very seriously.
The music I used to make was a lot more rock, so I come from this background of head banging a lot, and it took me a while to figure out how to do it in the context of our music.
A lot of people ask how I ended up doing classical music given that I'm in a rock band. The truth is that it's the other way around. I was trained as a classical musician and then started playing in a rock band later.
I didn't want to go out and change anything. I just wanted to make the music that was part of my background, which was rock and blues and hip-hop.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
There's a certain standard in classical music that allows the application of the term "genius," but you're treading on thin ice if you start applying it to rock & rollers.
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