A Quote by Brother Ali

I'm albino, my family is white, but I was really raised, and taught my important life lessons, by the black community. — © Brother Ali
I'm albino, my family is white, but I was really raised, and taught my important life lessons, by the black community.
We were raised in the black community not to trust the police, and I believe, in the white community, they were raised to actually be a policeman.
I was raised in Mississippi, in a family and a community that identified as black, and I have the stories and the experiences to go with it. One of my great-great grandfathers was killed by a gang of white Prohibition patrollers.
If a community of people wears white on a mournful occasion and another dresses in black, then one community would like white and dislike black and the other would like black and dislike white. Moreover, this attitude leaves a physical effect on the cells as well as on the genes in the body.
Now we have black and white elected officials working together. Today, we have gone beyond just passing laws. Now we have to create a sense that we are one community, one family. Really, we are the American family.
My research has taught me many important lessons, but perhaps none more important than this: drug effects, like semesters, are predictable; police interactions with black people are not.
I was raised by mum who's white and she raised me amazingly, but I was never in touch with my black side growing up in a very white-washed Australia.
A racially integrated community is a chronological term timed from the entrance of the first black family to the exit of the last white family.
Who are the slumlords in the Black community? The so-called Jews. … Who is it sucking our blood in the Black community? A white imposter Arab and a white imposter Jew.
I was wowed by Margo Jefferson's memoir, Negroland, which is about growing up black and privileged in Chicago in the fifties and sixties. It was a window into an alien world. Obviously, I'm not black, but what was really alien to me was her family's focus on respectability. I was never taught when to wear white gloves, what length skirt is appropriate.
We're not here as a black band playing white string band music. You know, we play stuff in the Appalachians, we play stuff in the white community, but we really highlight the black community's music.
What it is is that Barack Obama was raised by a white mother and two white grandparents who, A, told him he was black and that there was nothing wrong with being black.
I played Pierre, a white Russian aristocrat, and my co-lead was Denee Benton. Two black leads playing not black people - it was an important moment for the Broadway community to say diversity is possible and it's here.
I was raised in a family where we were taught that the best thing you could do with your life was to really kind of push the cause of progress and justice and human rights forward.
The first eight years of schooling was with all white people. So that helped me to understand how white people think. I think that transition is what helped me bridge the gap, because that's what my success has really been about: bridging the gap between the black community and the white community.
In the black sororities, they celebrate achievement academically, and they really do work toward community service. As much as the white sororities claim that's the case in their groups, it's not really so. White sororities focus on relationships.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
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