A Quote by Bre Pettis

A lot of it is "how do you work with people". How do you get people to work with you and do wonderful things. — © Bre Pettis
A lot of it is "how do you work with people". How do you get people to work with you and do wonderful things.
Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.
A lot of people have these fancy facilities, these fancy training atmospheres, high-tech this and that... I believe it's about the fighter and how much work is he willing to put. I'm trying to show the world that I can make it happen from a garage. People don't believe it, but I know how to work with what I've got to get to the top.
When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
Like a lot of people, I have been a leader in some things, and I've been a follower in some things. I know how to work on a team. And most of life, frankly, to get things done you have to get done, you've got to work as a team.
Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.
It is wonderful to work in an environment with a lot of smart people. It challenges you to think and work on a different level. If you play with better players, you learn a lot: perspectives, intellectual arguments, new ways of thinking about things.
I love my lecture tours. I get up onstage. I have my stack of books and a glass of water and a microphone. No podium, no distance between me and the audience, and I just talk to people and get all excited and tell a lot of jokes, and sing some songs, and read from my work and remind people how powerful they are and how beautiful they are.
My dad was a businessman, and he would say, 'Work for free at the best company. Don't get paid a lot of money to work with the worst people.' And that's exactly how I see my career.
Cooking is work that is traditionally done by working-class people. The work itself is not glamorous. It's repetitive, and it's a lot closer to factory work than art, whatever level you're doing it at. Certainly chefs are used to living like rock 'n' rollers to some extent, inasmuch as we get a lot of those fringe benefits without having to learn how to play guitar.
'SNL' is one of those jobs where you are constantly reminded of how lucky you are and that you get to meet some of these people whose work you enjoy. Then you get to meet them, and they are just wonderful people. It turns out wonderfully, and you have a great conversation.
Over the course of six amateur fights and two professional fights I learned a lot about how to get things done, how to pick myself up after disappointment, how to work through frustration and how to process moments of success.
I get to work with a lot of great musicians - many I wouldn't have expected to work with - and see how they form their lives around their music and how they approach it.
The money for my movies mostly come from talented and generous friends willing to work for almost nothing. As a producer, my job is to get as many people to give me things for free as I could. And most people are kind, and they know how hard this kind of thing is, so they are willing to help how they can, and reduce their fees how they can.
With me, I probably work a lot more than people assume I do, but people don't realize how much work goes into writing and producing and making a movie.
It takes a certain kind of mind to narrate, to work through character motivation, to be unforgiving to one's writer-self when it comes down to creating the minutiae of detail. Writing fiction requires stamina, a sense of how people's lives work, how people work toward and against one another and, above all, precision.
It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't.
This site uses cookies to ensure you get the best experience. More info...
Got it!