A Quote by Brendon Urie

I always miss New York when I leave it. — © Brendon Urie
I always miss New York when I leave it.
I miss New York terribly. There is no place like the city. I miss people-watching. I miss the nightlife. I miss the food. There are so many options in New York City.
I miss the New York bagel but miss the New York bialy even more. It's a great compromise of bagel feeling with less dough stuffing.
I miss my friends in London, and I really miss New York. But I also miss the stability of staying in one place and being able to just open a drawer if you've run out of sticky tape and chuck a new roll in the holder.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
The past is like the hair on our head. I moved to New York when I was twelve, but you always have this feeling that wherever you come from, you physically leave it, but it doesn't leave you.
There's something about New York. You can get a nice feeling of belonging as a writer here. It's probably the best city on Earth like that. I miss the wisecracking of New York.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
It's hard to leave New York: this is where my friends are, my parents are. It is so vital. The whole world seems to look to New York.
Living in New York is like being at some terrible late-night party. You're tired, you've had a headache since you arrived, but you can't leave because then you'd miss the party.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
Note that both of these papers [the New York Post and the New York Daily News] are big sellers in a city whose residents like to go around saying they'd never live anyplace else on account of they'd miss the opera.
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