A Quote by Bret Michaels

I love it. It's all good to me. Whether I'm performing in New York, L.A., Columbus or Des Moines, I give 110 percent every night. — © Bret Michaels
I love it. It's all good to me. Whether I'm performing in New York, L.A., Columbus or Des Moines, I give 110 percent every night.
Much as I resented having to grow up in Des Moines, it gave me a real appreciation for every place in the world that's not Des Moines.
Fads get hot in California. A good idea can come from Des Moines, but it's not going to be anything there. Then it'll hit Venice Beach or Westwood and go all around the country, back to Des Moines.
I'm from the US of A. Born in Des Moines, raised in the New York suburbs.
Give me 100 percent. You can't make up for a poor effort today by giving 110 percent tomorrow. You don't have 110 percent. You only have 100 percent, and that's what I want from you right now.
A typical National World Weekly would tell the world how Jesus' face was seen on a Big Mac bun bought by someone from Des Moines, with an artist's impression of the bun; how Elvis Presley was recently sighted working in a Burger Lord in Des Moines; how listening to Elvis records cured a Des Moines housewife's cancer; how the spate of werewolves infesting the Midwest are the offspring of noble pioneer women raped by Bigfoot; and that Elvis was taken by Space Aliens in 1976 because he was too good for this world. Remarkably, one of these stories is indeed true.
Hardly anyone ever leaves. This is because Des Moines is the most powerful hypnotic known to man. Outside town there is a big sign that says, WELCOME TO DES MOINES. THIS IS WHAT DEATH IS LIKE. There isn't really. I just made that up. But the place does get a grip on you.
When I was growing up I used to think that the best thing about coming from Des Moines was that it meant you didn't come from anywhere else in Iowa. By Iowa standards, Des Moines is a mecca of cosmopolitanism, a dynamic hub of wealth and education, where people wear three-piece suits and dark socks, often simultaneously.
Physiologists and high-performance trainers understand now that the concept of 110 percent is no longer a smart way to train. Fitness is like the blade of a knife; you want to sharpen it without ruining the blade. Give 110 percent, and you won't build your body up, but actually break it down. And be no good to yourself or anyone else.
I give 110 percent, and that's in practice and every game and everything.
I ate apple pie and ice cream—it was getting better as I got deeper into Iowa, the pie bigger, the ice cream richer. There were the most beautiful bevies of girls everywhere I looked in Des Moines that afternoon—they were coming home from high school—but I had no time for thoughts like that…So I rushed past the pretty girls, and the prettiest girls in the world live in Des Moines.
Believe me, it jabs you. When you're on the side of buses and New York loves you, you love to go out there every night. It's like a race. Curtain opens, out you go, and New York is yours.
In the Miss America system talent is worth 50 percent of a contestant's points so my mom encouraged me to give it a try. And once I decided to do it, like anything else, I gave it 110 percent.
But the good thing about performing every night is I don't have any excuse not to try something new every day.
I love performing in New York. Just something about the energy that the crowd gives you, you give it back, a lot of interaction.
I have a place in New England. It's in the middle of nowhere, like horror movie style - Stephen King-ville. It's a good kind of retreat for me to regroup my thoughts and work. I split time: 50 percent there, 50 percent in New York
I'm in New York a lot. And every time I'm in New York, I'm out every night - it's a bit much. After a week, I'm ready to go home.
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