A Quote by Brett Goldstein

If I'm watching a heavy drama and there's no moment of people laughing, I always think that's not realistic. — © Brett Goldstein
If I'm watching a heavy drama and there's no moment of people laughing, I always think that's not realistic.
TV drama - not always, but on the whole - were pretty appalling and very secondary, too. No one expected it to be like watching a movie; that was the point. But I think when you start watching 'Vikings,' it is like watching a movie - you're taken somewhere else.
I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.
I think it would be exhausting and depressing, to write, to watch and to live, if it was just focused on drama. It's heavy. Also, I think the humor really highlights the pathos and the struggle. You can slam it up against drama, and it makes both shine.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
I remember watching 'The Muppet Show' in the '70s. I was six or seven, and my dad watched it with me, and my grandparents watched it with me, and we're all laughing throughout, but I think we were probably laughing at different things.
When I was a kid I would get upset when people laughed at me when I didn't mean to be funny. I would always hear,'We're not laughing at you. We're laughing with you.' But I would say, 'I'm not laughing.
Every single moment in 'Hereditary' is linked to a moment in the end for the payoff. I think it has the ability of captivating people the same way that 'Manchester By the Sea' did. It has that audience because it's so wrapped in human drama.
People think comedians don't do drama. Comics are drama. And what is drama, as opposed to comedy? It's all the same to me.
When they're watching musicals, I've heard people say, 'That's not realistic! Why would they just start singing?' But, I think they can believe it if they try! I mean, science fiction requires a suspension of disbelief, but people allow themselves to sit back and enjoy it anyway.
Drama is easy to fool people with, but you can't trick people into laughing.
Whatever it is probably won't go away, so we might as well live and laugh through it. When we double over laughing, we're bending so we won't break. If you think your particular troubles are too heavy and too traumatic to laugh about, remember that laughing is like changing a baby's diaper. It doesn't solve any problems permanently, but it makes things more acceptable for awhile.
I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.
Sam screamed the fun scream, and there it was. Downtown lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. and in that moment, I swear we were infinite.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
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